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Born 1958 Ottowck, Poland. Known for: Installation sculpture and video art.
Comprising installation, sculpture and video, Miroslaw Balka's work has a bare and elegiac quality that is underlined by the careful, minimalist placement of objects, as well as the gaps and pauses... Read full biography
Comprising installation, sculpture and video, Miroslaw Balka's work has a bare and elegiac quality that is underlined by the careful, minimalist placement of objects, as well as the gaps and pauses between them. Often using his own body and his studio as a template or first point of reference,... Read full biography
Comprising installation, sculpture and video, Miroslaw Balka's work has a bare and elegiac quality that is underlined by the careful, minimalist placement of objects, as well as the gaps and pauses between them. Often using his own body and his studio as a template or first point of reference, Balka's work might incorporate personal or self-referential substances such as ash, felt, salt, hair and soap. Balka's work deals with both personal and collective memories, especially as they relate to... Read full biography
Comprising installation, sculpture and video, Miroslaw Balka's work has a bare and elegiac quality that is underlined by the careful, minimalist placement of objects, as well as the gaps and pauses between them. Often using his own body and his studio as a template or first point of reference, Balka's work might incorporate personal or self-referential substances such as ash, felt, salt, hair and soap. Balka's work deals with both personal and collective memories, especially as they relate to his Catholic upbringing and the collective experience of Poland's fractured history. Through this investigation of domestic memories and public catastrophe, Balka explores how subjective traumas are translated into collective histories and vice versa.... Read full biography
Comprising installation, sculpture and video, Miroslaw Balka's work has a bare and elegiac quality that is underlined by the careful, minimalist placement of objects, as well as the gaps and pauses between them. Often using his own body and his studio as a template or first point of reference, Balka's work might incorporate personal or self-referential substances such as ash, felt, salt, hair and soap. Balka's work deals with both personal and collective memories, especially as they relate to his Catholic upbringing and the collective experience of Poland's fractured history. Through this investigation of domestic memories and public catastrophe, Balka explores how subjective traumas are translated into collective histories and vice versa. His materials are simple, everyday objects and things, but also powerfully resonant of ritual, hidden memories and the history of Nazi occupati... Read full biography