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Born 1950 Banjar Taman, Ubud. Known for: Painting.
I Nyoman Meja (Ubud, 1950). I Nyoman Meja was born in Banjar Taman, Ubud. He is among the most successful 1980s painters in Ubud. His works are dedicated in bold colors featuring anatomically correct... Read full biography
I Nyoman Meja (Ubud, 1950). I Nyoman Meja was born in Banjar Taman, Ubud. He is among the most successful 1980s painters in Ubud. His works are dedicated in bold colors featuring anatomically correct figures. Hence his paintings show a fascinating assimilation of traditionalism and modernism. The... Read full biography
I Nyoman Meja (Ubud, 1950). I Nyoman Meja was born in Banjar Taman, Ubud. He is among the most successful 1980s painters in Ubud. His works are dedicated in bold colors featuring anatomically correct figures. Hence his paintings show a fascinating assimilation of traditionalism and modernism. The traditionalist of Meja’s works is signified by his technique which still uses penelak and the illustration of his setting (houses, field, paddy fields) that strongly referred to Ubud style. While his... Read full biography
I Nyoman Meja (Ubud, 1950). I Nyoman Meja was born in Banjar Taman, Ubud. He is among the most successful 1980s painters in Ubud. His works are dedicated in bold colors featuring anatomically correct figures. Hence his paintings show a fascinating assimilation of traditionalism and modernism. The traditionalist of Meja’s works is signified by his technique which still uses penelak and the illustration of his setting (houses, field, paddy fields) that strongly referred to Ubud style. While his modernity is describe with the lighting rationalization over its painting’s objects therefore Meja’s pieces can be categorized as post-traditional ones. During 1970s, he met Rudolf Bonnet. Through this meeting, his modern vision developed. His... Read full biography
I Nyoman Meja (Ubud, 1950). I Nyoman Meja was born in Banjar Taman, Ubud. He is among the most successful 1980s painters in Ubud. His works are dedicated in bold colors featuring anatomically correct figures. Hence his paintings show a fascinating assimilation of traditionalism and modernism. The traditionalist of Meja’s works is signified by his technique which still uses penelak and the illustration of his setting (houses, field, paddy fields) that strongly referred to Ubud style. While his modernity is describe with the lighting rationalization over its painting’s objects therefore Meja’s pieces can be categorized as post-traditional ones. During 1970s, he met Rudolf Bonnet. Through this meeting, his modern vision developed. His paintings depict various themes. Composition of masks once occupied his style. But is 1980s, he started to paint the world of children and his... Read full biography