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1606 Voltri - 1657 Genova. Known for: Painting.
Orazio Ferrari was born in 1606 in Voltri. Ferrari trained in the workshop of Andrea Ansaldo. The painter shows in his first tests the close stylistic relationships with the master and the influence... Read full biography
Orazio Ferrari was born in 1606 in Voltri. Ferrari trained in the workshop of Andrea Ansaldo. The painter shows in his first tests the close stylistic relationships with the master and the influence of the chromaticism of Pietro Paolo Rubens, as evidenced in the Martyrdom of Saint Sebastian, made... Read full biography
Orazio Ferrari was born in 1606 in Voltri. Ferrari trained in the workshop of Andrea Ansaldo. The painter shows in his first tests the close stylistic relationships with the master and the influence of the chromaticism of Pietro Paolo Rubens, as evidenced in the Martyrdom of Saint Sebastian, made in 1630 for the Church of Saints Nicolý and Erasmus of Voltri. These inflections changed during maturity and after a likely trip to Rome and Naples in the thirties, when the dark sensibilities lead... Read full biography
Orazio Ferrari was born in 1606 in Voltri. Ferrari trained in the workshop of Andrea Ansaldo. The painter shows in his first tests the close stylistic relationships with the master and the influence of the chromaticism of Pietro Paolo Rubens, as evidenced in the Martyrdom of Saint Sebastian, made in 1630 for the Church of Saints Nicolý and Erasmus of Voltri. These inflections changed during maturity and after a likely trip to Rome and Naples in the thirties, when the dark sensibilities lead Orazio Ferrari to an intense naturalism, in similitude with Gioacchino Assereto. These aspects can be seen very well in the Cenacles preserved respectively in Our Lady of the Mount and in the Sacristy of San Siro, where one observes a meticulous and... Read full biography
Orazio Ferrari was born in 1606 in Voltri. Ferrari trained in the workshop of Andrea Ansaldo. The painter shows in his first tests the close stylistic relationships with the master and the influence of the chromaticism of Pietro Paolo Rubens, as evidenced in the Martyrdom of Saint Sebastian, made in 1630 for the Church of Saints Nicolý and Erasmus of Voltri. These inflections changed during maturity and after a likely trip to Rome and Naples in the thirties, when the dark sensibilities lead Orazio Ferrari to an intense naturalism, in similitude with Gioacchino Assereto. These aspects can be seen very well in the Cenacles preserved respectively in Our Lady of the Mount and in the Sacristy of San Siro, where one observes a meticulous and pleased characterization of the apostles.