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Panos Fidakis KEYWORDS
1956 Aegion - 2003. Known for: Painting.
Panos Fidakis was born in Aegion in 1956. He is one of the most significant representatives of the eighties generation, left his mark on Greek painting thanks to the great sensitivity of his work,... Read full biography
Panos Fidakis was born in Aegion in 1956. He is one of the most significant representatives of the eighties generation, left his mark on Greek painting thanks to the great sensitivity of his work, its unique expressive economy as well as an exquisite mastery of design. In the epicentre of his... Read full biography
Panos Fidakis was born in Aegion in 1956. He is one of the most significant representatives of the eighties generation, left his mark on Greek painting thanks to the great sensitivity of his work, its unique expressive economy as well as an exquisite mastery of design. In the epicentre of his artistic creation always stood the human figure, lost in existential dead ends, trying to face the fears and problems of everyday reality. He always looked at him with tenderness and affection, expressing... Read full biography
Panos Fidakis was born in Aegion in 1956. He is one of the most significant representatives of the eighties generation, left his mark on Greek painting thanks to the great sensitivity of his work, its unique expressive economy as well as an exquisite mastery of design. In the epicentre of his artistic creation always stood the human figure, lost in existential dead ends, trying to face the fears and problems of everyday reality. He always looked at him with tenderness and affection, expressing his sympathy through a world painted with realism characterized by the constant interplay between light and space but seen with a genuinely idealistic gaze.
Panos Fidakis was born in Aegion in 1956. He is one of the most significant representatives of the eighties generation, left his mark on Greek painting thanks to the great sensitivity of his work, its unique expressive economy as well as an exquisite mastery of design. In the epicentre of his artistic creation always stood the human figure, lost in existential dead ends, trying to face the fears and problems of everyday reality. He always looked at him with tenderness and affection, expressing his sympathy through a world painted with realism characterized by the constant interplay between light and space but seen with a genuinely idealistic gaze.