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1570 Hessheim, Germany - 1607 Frankentha, Germany. Known for: Mountain landscape, Christian figure scenes, allegory.
German landscape painter of the Frankenthal School, born in Heßheim, a pupil and friend of Van Coninxloo, he retained his master's Mannerist* style. Schoubroeck was first active in Italy around 1595,... Read full biography
German landscape painter of the Frankenthal School, born in Heßheim, a pupil and friend of Van Coninxloo, he retained his master's Mannerist* style. Schoubroeck was first active in Italy around 1595, then in Neurenberg between 1595 and 1597, before settling in Frankenthal in 1600, where he became... Read full biography
German landscape painter of the Frankenthal School, born in Heßheim, a pupil and friend of Van Coninxloo, he retained his master's Mannerist* style. Schoubroeck was first active in Italy around 1595, then in Neurenberg between 1595 and 1597, before settling in Frankenthal in 1600, where he became one of the most influential artists in the company of Gillis Van Coninxloo, Hendrik van der Borcht and Anton Mirou. His original and strange style, close to that of the Valkenborchs, was a fruitful... Read full biography
German landscape painter of the Frankenthal School, born in Heßheim, a pupil and friend of Van Coninxloo, he retained his master's Mannerist* style. Schoubroeck was first active in Italy around 1595, then in Neurenberg between 1595 and 1597, before settling in Frankenthal in 1600, where he became one of the most influential artists in the company of Gillis Van Coninxloo, Hendrik van der Borcht and Anton Mirou. His original and strange style, close to that of the Valkenborchs, was a fruitful extension of Mannerism*, and his best examples are, in addition to a Landscape dated 1604 (Munich, Alte Pin.), the Temptation of Saint Anthony (Musée de Dunkerque), a work influenced by Bruegel, the Incendie de Troie (Musée d'Anvers) and the Combat des... Read full biography
German landscape painter of the Frankenthal School, born in Heßheim, a pupil and friend of Van Coninxloo, he retained his master's Mannerist* style. Schoubroeck was first active in Italy around 1595, then in Neurenberg between 1595 and 1597, before settling in Frankenthal in 1600, where he became one of the most influential artists in the company of Gillis Van Coninxloo, Hendrik van der Borcht and Anton Mirou. His original and strange style, close to that of the Valkenborchs, was a fruitful extension of Mannerism*, and his best examples are, in addition to a Landscape dated 1604 (Munich, Alte Pin.), the Temptation of Saint Anthony (Musée de Dunkerque), a work influenced by Bruegel, the Incendie de Troie (Musée d'Anvers) and the Combat des amazones (Dresden, Gg). * For more information about terms with an asterisk,* go to AskART.com Glossary: http://www.askart.com/... Read full biography