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1875 - 1937. Known for: Paintings.
Pieretto Bianco Bortoluzzi studied at the Academy of Venice. He participated in many exhibitions, such as II, V, VI and X Venice Biennale, where, in 1912 realized the pictorial decoration of the... Read full biography
Pieretto Bianco Bortoluzzi studied at the Academy of Venice. He participated in many exhibitions, such as II, V, VI and X Venice Biennale, where, in 1912 realized the pictorial decoration of the central hall depicting the 'Awakening of Venice'. At the International Art Exhibition of the Secession... Read full biography
Pieretto Bianco Bortoluzzi studied at the Academy of Venice. He participated in many exhibitions, such as II, V, VI and X Venice Biennale, where, in 1912 realized the pictorial decoration of the central hall depicting the 'Awakening of Venice'. At the International Art Exhibition of the Secession (Rome, 1914) he carried out the decorations of the rooms International. In 1914, in Rome, he dressed in mosaics and frescoes in the chapel in the park of the Villa Doria Pamphili; the following year he... Read full biography
Pieretto Bianco Bortoluzzi studied at the Academy of Venice. He participated in many exhibitions, such as II, V, VI and X Venice Biennale, where, in 1912 realized the pictorial decoration of the central hall depicting the 'Awakening of Venice'. At the International Art Exhibition of the Secession (Rome, 1914) he carried out the decorations of the rooms International. In 1914, in Rome, he dressed in mosaics and frescoes in the chapel in the park of the Villa Doria Pamphili; the following year he decorated the reception room of the Italian pavilion (arch. M. Piacentini) exhibition in San Francisco, getting the 'Grand Prix'. In 1916 he moved to New York where he remained until 1920, as a set designer at the Metropolitan Opera House. Back in... Read full biography
Pieretto Bianco Bortoluzzi studied at the Academy of Venice. He participated in many exhibitions, such as II, V, VI and X Venice Biennale, where, in 1912 realized the pictorial decoration of the central hall depicting the 'Awakening of Venice'. At the International Art Exhibition of the Secession (Rome, 1914) he carried out the decorations of the rooms International. In 1914, in Rome, he dressed in mosaics and frescoes in the chapel in the park of the Villa Doria Pamphili; the following year he decorated the reception room of the Italian pavilion (arch. M. Piacentini) exhibition in San Francisco, getting the 'Grand Prix'. In 1916 he moved to New York where he remained until 1920, as a set designer at the Metropolitan Opera House. Back in Italy, he taught decoration at the Royal Institute of Fine Arts in Parma and then moved to Rome - where he live... Read full biography