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circa 1576 Cortona - 1636 Rome. Known for: Painting.
Participant in Annibale Carracci's workshop, Pietro Paolo Bonzi dedicated himself to the genre of classical landscape having as models the works of the master and Domenico Zampieri, without... Read full biography
Participant in Annibale Carracci's workshop, Pietro Paolo Bonzi dedicated himself to the genre of classical landscape having as models the works of the master and Domenico Zampieri, without neglecting the examples of Paul Brill, with whom he collaborated in 1611 decorating the loggia of Scipione... Read full biography
Participant in Annibale Carracci's workshop, Pietro Paolo Bonzi dedicated himself to the genre of classical landscape having as models the works of the master and Domenico Zampieri, without neglecting the examples of Paul Brill, with whom he collaborated in 1611 decorating the loggia of Scipione Borghese's palace at the Quirinale, while slightly later are the Stories of Diana painted for Palazzo Montalto in Torre in Pietra. Also important for ours was the brief but extraordinary lesson by Adam... Read full biography
Participant in Annibale Carracci's workshop, Pietro Paolo Bonzi dedicated himself to the genre of classical landscape having as models the works of the master and Domenico Zampieri, without neglecting the examples of Paul Brill, with whom he collaborated in 1611 decorating the loggia of Scipione Borghese's palace at the Quirinale, while slightly later are the Stories of Diana painted for Palazzo Montalto in Torre in Pietra. Also important for ours was the brief but extraordinary lesson by Adam Elsheimer and in this case the comparison with some editorials created by the German master of the same subject kept in the Frankfurt Museum at Petworth House and at the Staten for Kunst-Copenhagen is pertinent. Giancarlo Sestieri also highlights the... Read full biography
Participant in Annibale Carracci's workshop, Pietro Paolo Bonzi dedicated himself to the genre of classical landscape having as models the works of the master and Domenico Zampieri, without neglecting the examples of Paul Brill, with whom he collaborated in 1611 decorating the loggia of Scipione Borghese's palace at the Quirinale, while slightly later are the Stories of Diana painted for Palazzo Montalto in Torre in Pietra. Also important for ours was the brief but extraordinary lesson by Adam Elsheimer and in this case the comparison with some editorials created by the German master of the same subject kept in the Frankfurt Museum at Petworth House and at the Staten for Kunst-Copenhagen is pertinent. Giancarlo Sestieri also highlights the similarities with the production of Carlo Saraceni, noting the peculiar interpretation of Bolognese classicism and the assimilations of Nordic... Read full biography