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1906 Guilin, Guangxi Autonomous Region - 1998. Known for: Painting.
Stepping into the 40's, the classical realistic composition with precision could still be seen from Yee Bon's paintings, using brilliant and vibrant colours for the light and tone to depict the scene... Read full biography
Stepping into the 40's, the classical realistic composition with precision could still be seen from Yee Bon's paintings, using brilliant and vibrant colours for the light and tone to depict the scene of country and fishing villages which he adored most. Fishing Berth, 1942, has a steady yet... Read full biography
Stepping into the 40's, the classical realistic composition with precision could still be seen from Yee Bon's paintings, using brilliant and vibrant colours for the light and tone to depict the scene of country and fishing villages which he adored most. Fishing Berth, 1942, has a steady yet rhythmic composition, with dark green trees stringing out in a long line, dividing the picture freely but neatly into two parts from the middle. The upper part of the picture is a tender sea of overlapping... Read full biography
Stepping into the 40's, the classical realistic composition with precision could still be seen from Yee Bon's paintings, using brilliant and vibrant colours for the light and tone to depict the scene of country and fishing villages which he adored most. Fishing Berth, 1942, has a steady yet rhythmic composition, with dark green trees stringing out in a long line, dividing the picture freely but neatly into two parts from the middle. The upper part of the picture is a tender sea of overlapping clouds in darkening grey, surging like tides in the sky at twilight, enveloping the khaki mountain range of undulating ridges. In the lower part of the picture, the oval arc-shaped bay harbours the little returned fishing boats. With the sterns all... Read full biography
Stepping into the 40's, the classical realistic composition with precision could still be seen from Yee Bon's paintings, using brilliant and vibrant colours for the light and tone to depict the scene of country and fishing villages which he adored most. Fishing Berth, 1942, has a steady yet rhythmic composition, with dark green trees stringing out in a long line, dividing the picture freely but neatly into two parts from the middle. The upper part of the picture is a tender sea of overlapping clouds in darkening grey, surging like tides in the sky at twilight, enveloping the khaki mountain range of undulating ridges. In the lower part of the picture, the oval arc-shaped bay harbours the little returned fishing boats. With the sterns all pointing towards the centre of the shallows, and the waves extending from the shore, as well as the sails... Read full biography