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1911 - 2008. Known for: Avant-garde painting, perceptism or color-shape relationships.
Arte Concreto- Argentine Concrete Art. Raul Lozza (1911- 2008) was co- founder in 1947 of the Asociación Arte Concreto Invención, one of the first tendencies of the Argentine abstract avant-garde. In... Read full biography
Arte Concreto- Argentine Concrete Art. Raul Lozza (1911- 2008) was co- founder in 1947 of the Asociación Arte Concreto Invención, one of the first tendencies of the Argentine abstract avant-garde. In 1947 he separated from the Asociation to create his own movement called Perceptism, in which his... Read full biography
Arte Concreto- Argentine Concrete Art. Raul Lozza (1911- 2008) was co- founder in 1947 of the Asociación Arte Concreto Invención, one of the first tendencies of the Argentine abstract avant-garde. In 1947 he separated from the Asociation to create his own movement called Perceptism, in which his brother, Rembrandt V.D. Lozza and Abraham Haber (art critic) were also active. The corollary of Lozza ‘s studies and experiments takes up seven as yet unedited volumes covering his Structural theory of... Read full biography
Arte Concreto- Argentine Concrete Art. Raul Lozza (1911- 2008) was co- founder in 1947 of the Asociación Arte Concreto Invención, one of the first tendencies of the Argentine abstract avant-garde. In 1947 he separated from the Asociation to create his own movement called Perceptism, in which his brother, Rembrandt V.D. Lozza and Abraham Haber (art critic) were also active. The corollary of Lozza ‘s studies and experiments takes up seven as yet unedited volumes covering his Structural theory of colour, which he sent to La Sorbonne together with the results of his research. The “qualimetry of the flat form” is an equation he discovered in 1947 which creates relationships between the angles and lines of coloured forms and serves to give... Read full biography
Arte Concreto- Argentine Concrete Art. Raul Lozza (1911- 2008) was co- founder in 1947 of the Asociación Arte Concreto Invención, one of the first tendencies of the Argentine abstract avant-garde. In 1947 he separated from the Asociation to create his own movement called Perceptism, in which his brother, Rembrandt V.D. Lozza and Abraham Haber (art critic) were also active. The corollary of Lozza ‘s studies and experiments takes up seven as yet unedited volumes covering his Structural theory of colour, which he sent to La Sorbonne together with the results of his research. The “qualimetry of the flat form” is an equation he discovered in 1947 which creates relationships between the angles and lines of coloured forms and serves to give colour planes certain values within the picture. He was part of the II Bienal International de San Pablo. He participated in the antholo... Read full biography