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1907 Paris, France - 1942 Castillon (Ariege), France. Known for: Religious, figure, nude, genre and portrait painting, drawing.
René Morére. 1907-1942. Born 16 May 1907, in Paris; died 26 December 1942, in Castillon (Ariège). Painter, watercolourist, pastellist, engraver, draughtsman. Religious subjects, mythological... Read full biography
René Morére. 1907-1942. Born 16 May 1907, in Paris; died 26 December 1942, in Castillon (Ariège). Painter, watercolourist, pastellist, engraver, draughtsman. Religious subjects, mythological subjects, figures, nudes, portraits, genre scenes, interiors with figures, landscapes, landscapes with... Read full biography
René Morére. 1907-1942. Born 16 May 1907, in Paris; died 26 December 1942, in Castillon (Ariège). Painter, watercolourist, pastellist, engraver, draughtsman. Religious subjects, mythological subjects, figures, nudes, portraits, genre scenes, interiors with figures, landscapes, landscapes with figures, urban landscapes. Morère's paintings were more Expressionist than intellectual in spirit. His canvases, with powerful colouring and violently thick paint, showed scenes of daily life in Paris,... Read full biography
René Morére. 1907-1942. Born 16 May 1907, in Paris; died 26 December 1942, in Castillon (Ariège). Painter, watercolourist, pastellist, engraver, draughtsman. Religious subjects, mythological subjects, figures, nudes, portraits, genre scenes, interiors with figures, landscapes, landscapes with figures, urban landscapes. Morère's paintings were more Expressionist than intellectual in spirit. His canvases, with powerful colouring and violently thick paint, showed scenes of daily life in Paris, such as Scene in a Café and Undergrowth at Etréchy with Two Lovers (both 1932). Morère regularly took part in public exhibitions in Paris at the Salon des Indépendants and the Salon d'Automne. Other exhibitions include: 1939, Museum of Modern Art... Read full biography
René Morére. 1907-1942. Born 16 May 1907, in Paris; died 26 December 1942, in Castillon (Ariège). Painter, watercolourist, pastellist, engraver, draughtsman. Religious subjects, mythological subjects, figures, nudes, portraits, genre scenes, interiors with figures, landscapes, landscapes with figures, urban landscapes. Morère's paintings were more Expressionist than intellectual in spirit. His canvases, with powerful colouring and violently thick paint, showed scenes of daily life in Paris, such as Scene in a Café and Undergrowth at Etréchy with Two Lovers (both 1932). Morère regularly took part in public exhibitions in Paris at the Salon des Indépendants and the Salon d'Automne. Other exhibitions include: 1939, Museum of Modern Art Gallery in Washington; 1940, Carnegie Prize in Pittsburgh; and 1961, Sal... Read full biography