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Rick Amor KEYWORDS
Born 1948 Frankston. Known for: Painting and sculpture.
Amor was born in Frankston, a seaside suburb situated forty-one kilometres South from Melbourne. His limited edition sculpture Running Man of 2003 finds its inspirational and emotional heritage in... Read full biography
Amor was born in Frankston, a seaside suburb situated forty-one kilometres South from Melbourne. His limited edition sculpture Running Man of 2003 finds its inspirational and emotional heritage in the artist's recollections of the forms and ever-changing shadows of Frankston's windswept craggy... Read full biography
Amor was born in Frankston, a seaside suburb situated forty-one kilometres South from Melbourne. His limited edition sculpture Running Man of 2003 finds its inspirational and emotional heritage in the artist's recollections of the forms and ever-changing shadows of Frankston's windswept craggy foreshore and its numerous eroded sandstone cliffs. His curiously unique recollections, as revealed in a number of published interviews, must be seen as operating in tandem with personal memories of the... Read full biography
Amor was born in Frankston, a seaside suburb situated forty-one kilometres South from Melbourne. His limited edition sculpture Running Man of 2003 finds its inspirational and emotional heritage in the artist's recollections of the forms and ever-changing shadows of Frankston's windswept craggy foreshore and its numerous eroded sandstone cliffs. His curiously unique recollections, as revealed in a number of published interviews, must be seen as operating in tandem with personal memories of the town's more distinctive characteristics: its beaches, paths, piers, gullies, canals, boardwalks and sweeping escarpments. There, in the midst of Frankston's underrated charms, the young artist was indelibly stamped with an attraction to the weathered... Read full biography
Amor was born in Frankston, a seaside suburb situated forty-one kilometres South from Melbourne. His limited edition sculpture Running Man of 2003 finds its inspirational and emotional heritage in the artist's recollections of the forms and ever-changing shadows of Frankston's windswept craggy foreshore and its numerous eroded sandstone cliffs. His curiously unique recollections, as revealed in a number of published interviews, must be seen as operating in tandem with personal memories of the town's more distinctive characteristics: its beaches, paths, piers, gullies, canals, boardwalks and sweeping escarpments. There, in the midst of Frankston's underrated charms, the young artist was indelibly stamped with an attraction to the weathered marks of the passage of time, the moving shadow patterns of Nature and the area's engrossing Winter-Associate Professor Ken Wach (Dip. Art; T.T.T.C.;... Read full biography