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1909 Paris, France - 1976. Known for: Figurative abstract painting.
The daughter of acclaimed sculptor Julio Gonzalez (1876-1942), painter Roberta Gonzalez was born in Paris, France in 1909. She was strongly influended by her father's aesthetics, especially in her... Read full biography
The daughter of acclaimed sculptor Julio Gonzalez (1876-1942), painter Roberta Gonzalez was born in Paris, France in 1909. She was strongly influended by her father's aesthetics, especially in her early drawings, pastels and gouaches, which often coincide chronologically with her father's... Read full biography
The daughter of acclaimed sculptor Julio Gonzalez (1876-1942), painter Roberta Gonzalez was born in Paris, France in 1909. She was strongly influended by her father's aesthetics, especially in her early drawings, pastels and gouaches, which often coincide chronologically with her father's sculptures. Moving away from figuration to pure abstraction in her later works, recurring themes, such as torsos, masks and the story of Leda, nevertheless formed the central structure of Roberta's work until... Read full biography
The daughter of acclaimed sculptor Julio Gonzalez (1876-1942), painter Roberta Gonzalez was born in Paris, France in 1909. She was strongly influended by her father's aesthetics, especially in her early drawings, pastels and gouaches, which often coincide chronologically with her father's sculptures. Moving away from figuration to pure abstraction in her later works, recurring themes, such as torsos, masks and the story of Leda, nevertheless formed the central structure of Roberta's work until her death in 1976. Source:. Institut Valencià d'Art Modern (IVAM)
The daughter of acclaimed sculptor Julio Gonzalez (1876-1942), painter Roberta Gonzalez was born in Paris, France in 1909. She was strongly influended by her father's aesthetics, especially in her early drawings, pastels and gouaches, which often coincide chronologically with her father's sculptures. Moving away from figuration to pure abstraction in her later works, recurring themes, such as torsos, masks and the story of Leda, nevertheless formed the central structure of Roberta's work until her death in 1976. Source:. Institut Valencià d'Art Modern (IVAM)