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Born 1966. Known for: Painting.
Shibu Natesan belongs to a generation of artists from Kerala who studied at the College of Fine Arts in Trivandrum during the early eighties, a time of continuing change and rebellion against a... Read full biography
Shibu Natesan belongs to a generation of artists from Kerala who studied at the College of Fine Arts in Trivandrum during the early eighties, a time of continuing change and rebellion against a bureaucratic and stultified art establishment. The films of John Abraham and G. Aravindan were one aspect... Read full biography
Shibu Natesan belongs to a generation of artists from Kerala who studied at the College of Fine Arts in Trivandrum during the early eighties, a time of continuing change and rebellion against a bureaucratic and stultified art establishment. The films of John Abraham and G. Aravindan were one aspect of the cultural climate of the time, and formative, along with translations of Latin American and African literature, of the minds and attitudes of young artists. His first significant body of work,... Read full biography
Shibu Natesan belongs to a generation of artists from Kerala who studied at the College of Fine Arts in Trivandrum during the early eighties, a time of continuing change and rebellion against a bureaucratic and stultified art establishment. The films of John Abraham and G. Aravindan were one aspect of the cultural climate of the time, and formative, along with translations of Latin American and African literature, of the minds and attitudes of young artists. His first significant body of work, a series of paintings entitled "The Futility of Device" derives from a feudal history excavated in painstaking detail, the relics displayed in the grim chambers of memory, symbols of aggression which repeat themselves with oppressive regularity. The... Read full biography
Shibu Natesan belongs to a generation of artists from Kerala who studied at the College of Fine Arts in Trivandrum during the early eighties, a time of continuing change and rebellion against a bureaucratic and stultified art establishment. The films of John Abraham and G. Aravindan were one aspect of the cultural climate of the time, and formative, along with translations of Latin American and African literature, of the minds and attitudes of young artists. His first significant body of work, a series of paintings entitled "The Futility of Device" derives from a feudal history excavated in painstaking detail, the relics displayed in the grim chambers of memory, symbols of aggression which repeat themselves with oppressive regularity. The atmospheric quality of these works, some of them based on photographs of archaeological remains such as the caves at Ajanta,... Read full biography