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Born 1964. Known for: Photography based conceptual art-political commentary.
The text discusses the artist Thomas Demand, highlighting his approach to creating art that blurs the lines between reality and representation. Andreas Ruby's commentary from Parkett no. 62 in 2001... Read full biography
The text discusses the artist Thomas Demand, highlighting his approach to creating art that blurs the lines between reality and representation. Andreas Ruby's commentary from Parkett no. 62 in 2001 reflects on Demand's work, emphasizing that his images do not aim to deceive viewers but rather... Read full biography
The text discusses the artist Thomas Demand, highlighting his approach to creating art that blurs the lines between reality and representation. Andreas Ruby's commentary from Parkett no. 62 in 2001 reflects on Demand's work, emphasizing that his images do not aim to deceive viewers but rather invite them to engage with the illusion presented. Demand's art is described as a constant interplay between imitating and constructing reality, leaving viewers questioning which reality—represented or the... Read full biography
The text discusses the artist Thomas Demand, highlighting his approach to creating art that blurs the lines between reality and representation. Andreas Ruby's commentary from Parkett no. 62 in 2001 reflects on Demand's work, emphasizing that his images do not aim to deceive viewers but rather invite them to engage with the illusion presented. Demand's art is described as a constant interplay between imitating and constructing reality, leaving viewers questioning which reality—represented or the representation itself—prevails in his pictures.Andreas Ruby, Parkett no. 62, 2001
The text discusses the artist Thomas Demand, highlighting his approach to creating art that blurs the lines between reality and representation. Andreas Ruby's commentary from Parkett no. 62 in 2001 reflects on Demand's work, emphasizing that his images do not aim to deceive viewers but rather invite them to engage with the illusion presented. Demand's art is described as a constant interplay between imitating and constructing reality, leaving viewers questioning which reality—represented or the representation itself—prevails in his pictures.Andreas Ruby, Parkett no. 62, 2001