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Magazine articles page for Chris Martin ((Born 1954)), known for Abstraction, symbolic word. Showing 2 magazine articles.
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Born 1954. Known for: Abstraction, symbolic word.
Chris Martin is continually pushing the boundaries between the most sophisticated formalism, and outsider art’s instinctive logic. Chris Martin makes abstract painting look enviably effortless. His... Read full biography
Chris Martin is continually pushing the boundaries between the most sophisticated formalism, and outsider art’s instinctive logic. Chris Martin makes abstract painting look enviably effortless. His large scale canvases reflect a zany approach to experimentation, and a methodological mode of play,... Read full biography
Chris Martin is continually pushing the boundaries between the most sophisticated formalism, and outsider art’s instinctive logic. Chris Martin makes abstract painting look enviably effortless. His large scale canvases reflect a zany approach to experimentation, and a methodological mode of play, conceiving painting as something intrinsically haptic that resolves from an intimately hands-on negotiation of materials. Martin’s works are renowned for their extremely physical surfaces which are... Read full biography
Chris Martin is continually pushing the boundaries between the most sophisticated formalism, and outsider art’s instinctive logic. Chris Martin makes abstract painting look enviably effortless. His large scale canvases reflect a zany approach to experimentation, and a methodological mode of play, conceiving painting as something intrinsically haptic that resolves from an intimately hands-on negotiation of materials. Martin’s works are renowned for their extremely physical surfaces which are created by collaging found items onto the canvas.
Chris Martin is continually pushing the boundaries between the most sophisticated formalism, and outsider art’s instinctive logic. Chris Martin makes abstract painting look enviably effortless. His large scale canvases reflect a zany approach to experimentation, and a methodological mode of play, conceiving painting as something intrinsically haptic that resolves from an intimately hands-on negotiation of materials. Martin’s works are renowned for their extremely physical surfaces which are created by collaging found items onto the canvas.
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Magazine Articles (2)
Magazine articles based on askART research. List may not be comprehensive.
- ExhibitionsSeptember 2008Editors, Art in AmericaArt in America
- Review of ExhibitionsJanuary 2006Editors, Art in AmericaArt in America