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Magazine articles page for Ernest Lawson ((1873 - 1939)), known for Landscape, floral, genre and nocturne painting. Showing 22 magazine articles.
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1873 Halifax, Nova Scotia - 1939 Miami Beach, Florida. Known for: Landscape, floral, genre and nocturne painting.
Part of a group of New York painters called "The Eight*," Ernest Lawson was fascinated by the urban environment of early 20th-century New York and also the bucolic landscape of the Hudson River. His... Read full biography
Part of a group of New York painters called "The Eight*," Ernest Lawson was fascinated by the urban environment of early 20th-century New York and also the bucolic landscape of the Hudson River. His style was close to pure Impressionism*, and many of his works focus on the influence of human beings... Read full biography
Part of a group of New York painters called "The Eight*," Ernest Lawson was fascinated by the urban environment of early 20th-century New York and also the bucolic landscape of the Hudson River. His style was close to pure Impressionism*, and many of his works focus on the influence of human beings on the landscapes, quite often with the suggestion that someone has just been a part of the scene. He also completed numerous snow scenes as well as depictions of the less-than-beautiful side of life... Read full biography
Part of a group of New York painters called "The Eight*," Ernest Lawson was fascinated by the urban environment of early 20th-century New York and also the bucolic landscape of the Hudson River. His style was close to pure Impressionism*, and many of his works focus on the influence of human beings on the landscapes, quite often with the suggestion that someone has just been a part of the scene. He also completed numerous snow scenes as well as depictions of the less-than-beautiful side of life that including squatter's shacks, railroads and urban city views. Although he associated with the Social Realists* led by Robert Henri, he did not adopt that subject matter as the focus of his painting. On his canvases, he used a palette knife and... Read full biography
Part of a group of New York painters called "The Eight*," Ernest Lawson was fascinated by the urban environment of early 20th-century New York and also the bucolic landscape of the Hudson River. His style was close to pure Impressionism*, and many of his works focus on the influence of human beings on the landscapes, quite often with the suggestion that someone has just been a part of the scene. He also completed numerous snow scenes as well as depictions of the less-than-beautiful side of life that including squatter's shacks, railroads and urban city views. Although he associated with the Social Realists* led by Robert Henri, he did not adopt that subject matter as the focus of his painting. On his canvases, he used a palette knife and heavy impasto with bold, bright colors. Born in Nova Scotia, he spent his boyhood in Ontario because his fath... Read full biography
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Magazine Articles (22)
Magazine articles based on askART research. List may not be comprehensive.
- From Poetry to Prose: The Landscapes of Ernest LawsonOctober 2006Leeds, Valerie AnnFine Art Connoisseur
- Born of FireAugust 2006The Valley of WorkAmerican Art Review
- American Impressionism: Variations on a ThemeApril 2006Wolfe, M. MelissaAmerican Art Review
- Cityscapes & Urban Life from the Phoenix Art MuseumOctober 2005Smith, Jerry NAmerican Art Review
- Collection James & Barbara PalmerMarch 2005McGrady, PatrickAmerican Art Review
- Twentieth Century Painting in TennesseeAugust 2002Walker, CeliaAmerican Art Review
- Robert Henri and His InfluenceJune 2002Siedell, Daniel AAmerican Art Review
- The Quiet Power of Richard ManoogiaDecember 2001Beem, Edgar AllenARTnews
- San Antonio Museum of ArtDecember 2001Scott, Gerry D IIIAmerican Art Review
- American Views from Rockford MuseumJune 2001Houston, JoeAmerican Art Review
- The Cos Cob Art ColonyFebruary 2001Larkin, Susan G.American Art Review
- The Eight in Southern CollectionsAugust 2000Gerdts, William HAmerican Art Review
- American Artists Spanish ExperienceFebruary 1999Boone, M ElizabethAmerican Art Review
- Two Centuries of American DrawingDecember 1997Dreishpoon, DouglasAmerican Art Review
- American ImpressionismOctober 1997Brigham, David RAmerican Art Review
- Wadsworth, AtheneumJune 1997AR editorsAmerican Art Review
- Hartford Steam B I Insurance CoJune 1997AR editorsAmerican Art Review
- New Britain Museum American ArtJune 1997Buckley, LaurenceAmerican Art Review
- William Benton Museum of ArtJune 1997Cummings, HildegardAmerican Art Review
- The Independents/The Ashcan SchoolMay 1996Leeds, ValerieAmerican Art Review
- Valley of Work: Scenes of IndustryMarch 1996O'Toole, Judith HansenAmerican Art Review
- Canadian Painting, 1885-1920October 1995Lowrey, CarolAmerican Art Review