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Magazine articles page for Henry Francois Farny ((1847 - 1916)), known for Indians, frontier life, illustrator, pottery decoration. Showing 14 magazine articles.
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1847 Alsace Lorraine, France - 1916 Cincinnati, Ohio. Known for: Indians, frontier life, illustrator, pottery decoration.
Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes. Farny, working in a highly... Read full biography
Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes. Farny, working in a highly realistic, detailed style, had a deep regard for Indians as individuals, and often depicted them in an... Read full biography
Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes. Farny, working in a highly realistic, detailed style, had a deep regard for Indians as individuals, and often depicted them in an harmonious environment. Only a few of his paintings show Indians in dramatic action. He particularly painted the Sioux Indians and, given the Indian name for "Long Boots", was adopted into their tribe.... Read full biography
Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes. Farny, working in a highly realistic, detailed style, had a deep regard for Indians as individuals, and often depicted them in an harmonious environment. Only a few of his paintings show Indians in dramatic action. He particularly painted the Sioux Indians and, given the Indian name for "Long Boots", was adopted into their tribe. His work reflected the late 19th and early turn-of-the century romanticizing of the American Indian in the West, but differed from the approach of Charles Russell and Frederic Remington who showed conflict between Indians and Whites. Farny's primary... Read full biography
Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes. Farny, working in a highly realistic, detailed style, had a deep regard for Indians as individuals, and often depicted them in an harmonious environment. Only a few of his paintings show Indians in dramatic action. He particularly painted the Sioux Indians and, given the Indian name for "Long Boots", was adopted into their tribe. His work reflected the late 19th and early turn-of-the century romanticizing of the American Indian in the West, but differed from the approach of Charles Russell and Frederic Remington who showed conflict between Indians and Whites. Farny's primary theme was Indians living in peace amongst themselves during a period when their culture was dying out... Read full biography
Henry Francois Farny - Artist Info
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Magazine Articles (14)
Magazine articles based on askART research. List may not be comprehensive.
- Legends of the West" The Foxley CollectionDecember 2006Joyner, J. BrooksAmerican Art Review
- The Gund Collection at the Eiteljorg MuseumFebruary 2006Campbell, SuzanAmerican Art Review
- The Cincinnati Art ClubJuly 2005Soderberg, PaulPlein Air Magazine
- The Blanton Museum of Art, C.R. SmiDecember 2004Saunders, Richard HAmerican Art Review
- Triumph of Ohio Watercolor PaintersJune 2003Robinson, William HAmerican Art Review
- The New Gold RushMay 2003Kinsella, EileenARTnews
- Art Market, Auction Records forFebruary 2003McCord, AndyARTnews
- Jack L Blanton Museum of ArtDecember 2001Carlozzi, Annette; E DuganneAmerican Art Review
- Stark Museum of ArtDecember 2001Hunter, Richard; David HuntAmerican Art Review
- MarketplaceJanuary 2000EditorsArt & Auction
- Cincinnati Schoolhouse TreasuresApril 1998Kuntz, BarbaraAmerican Art Review
- American ArtJanuary 1998Editor, Art-talkArt-Talk
- W. Homer, Andrew Wyeth Hit NewAugust 1997Editors, Art TalkArt-Talk
- Home on the RangeJune 1994AR editorsAmerican Art Review
