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Magazine articles page for Jessica Stockholder ((Born 1959)), known for Sculptor-assemblage, abstract. Showing 19 magazine articles.
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Born 1959 Seattle, Washington. Known for: Sculptor-assemblage, abstract.
Installations created by Jessica Stockholder contain, "concentrated colors, forms and liberties," that are unreal, described as "fiction." She uses objects such as, wooden planks, fabrics, lattice... Read full biography
Installations created by Jessica Stockholder contain, "concentrated colors, forms and liberties," that are unreal, described as "fiction." She uses objects such as, wooden planks, fabrics, lattice work, cables, alongside refrigerator doors,cinema seats and plastic bags are all stretched and mounted... Read full biography
Installations created by Jessica Stockholder contain, "concentrated colors, forms and liberties," that are unreal, described as "fiction." She uses objects such as, wooden planks, fabrics, lattice work, cables, alongside refrigerator doors,cinema seats and plastic bags are all stretched and mounted to "form perspectives and aligned as in a picture." . Stockholder began as a painter, but worked into sculpture and installation. Her work as a painter is reflected in her use of covering all the... Read full biography
Installations created by Jessica Stockholder contain, "concentrated colors, forms and liberties," that are unreal, described as "fiction." She uses objects such as, wooden planks, fabrics, lattice work, cables, alongside refrigerator doors,cinema seats and plastic bags are all stretched and mounted to "form perspectives and aligned as in a picture." . Stockholder began as a painter, but worked into sculpture and installation. Her work as a painter is reflected in her use of covering all the materials with paint or compositional counterparts in pure color. Source:. Susanne Titz, "Art at the Turn of the Millennium". ----------------------------------------------------------------------. Jessica Stockholder was born in Seattle, Washington in... Read full biography
Installations created by Jessica Stockholder contain, "concentrated colors, forms and liberties," that are unreal, described as "fiction." She uses objects such as, wooden planks, fabrics, lattice work, cables, alongside refrigerator doors,cinema seats and plastic bags are all stretched and mounted to "form perspectives and aligned as in a picture." . Stockholder began as a painter, but worked into sculpture and installation. Her work as a painter is reflected in her use of covering all the materials with paint or compositional counterparts in pure color. Source:. Susanne Titz, "Art at the Turn of the Millennium". ----------------------------------------------------------------------. Jessica Stockholder was born in Seattle, Washington in 1959 and raised in Vancouver, British Columbia. She was a student of sculptor Mowry Baden in the 1970s. Stockholder began her c... Read full biography
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Magazine Articles (19)
Magazine articles based on askART research. List may not be comprehensive.
- ArticlesDecember 2006EditorsARTnews
- ReviewsNovember 2006EditorsARTFORUM
- PreviewJanuary 2006EditorsARTFORUM
- Pulp FrictionOctober 2005Heuer, MeganARTnews
- Jessica Stockholder: A Merging of MFebruary 2005Colpitt, FrancesArt in America
- Review of ExhibitionsMarch 2004Editors, Art in AmericaArt in America
- ReviewsDecember 2003Editors, ArtforumARTFORUM
- Preview Summer 2003May 2003Editors, ArtforumARTFORUM
- Even the Kitchen SinkMay 2003Yablonsky, LindaARTnews
- Making the Case for PleasureNovember 2001Mitchell, Charles DeeArt in America
- Review of ExhibitionsOctober 2001Editors, Art in AmericaArt in America
- New York ReviewsAugust 2001Editor, ARTnewsARTnews
- (bitter) Sweet CharityApril 2001Vincent, StevenArt & Auction
- Dia's New DirectionJune 2000Eakin, HughARTnews
- Talk of the TradeMarch 2000Tully, JuddArt & Auction
- Abstraction Out of BoundsNovember 1997Rubinstein, RaphaelArt in America
- Pleasure, Pain & ProtocolMarch 1996Gardner, PaulARTnews
- ReviewsJanuary 1996Editors, Art NewsARTnews
- Full CircleMay 1995Rubinstein, RaphaelArt in America
