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Magazine articles page for John Frederick Kensett ((1816 - 1872)), known for Landscape and coastal scene painting, engravings. Showing 42 magazine articles.
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1816 Cheshire, Connecticut - 1872 Long Island, New York. Known for: Landscape and coastal scene painting, engravings.
The following is from The New York Times, July 4, 2001, www.nytimes.com/2001/07/04/nyregion/04HUDS.html. The Final Strokes Are Kensett's Best . By GRACE GLUECK . With Eatons Neck, Long Island, the... Read full biography
The following is from The New York Times, July 4, 2001, www.nytimes.com/2001/07/04/nyregion/04HUDS.html. The Final Strokes Are Kensett's Best . By GRACE GLUECK . With Eatons Neck, Long Island, the Luminist landscape painter John Frederick Kensett did not have far to go for subject matter. In the... Read full biography
The following is from The New York Times, July 4, 2001, www.nytimes.com/2001/07/04/nyregion/04HUDS.html. The Final Strokes Are Kensett's Best . By GRACE GLUECK . With Eatons Neck, Long Island, the Luminist landscape painter John Frederick Kensett did not have far to go for subject matter. In the late 1860's he bought land and built a studio on an island near Darien, Conn., off the shore of Long Island Sound. And in the summer of 1872, he painted about 40 views, including many of the points... Read full biography
The following is from The New York Times, July 4, 2001, www.nytimes.com/2001/07/04/nyregion/04HUDS.html. The Final Strokes Are Kensett's Best . By GRACE GLUECK . With Eatons Neck, Long Island, the Luminist landscape painter John Frederick Kensett did not have far to go for subject matter. In the late 1860's he bought land and built a studio on an island near Darien, Conn., off the shore of Long Island Sound. And in the summer of 1872, he painted about 40 views, including many of the points along the Sound and the Connecticut shore. As a group, they are known as the "Last Summer's Work," since he died in December of that year at age 56. Of them, Eatons Neck is the best known and the most haunting. It is a masterly distillation in which the... Read full biography
The following is from The New York Times, July 4, 2001, www.nytimes.com/2001/07/04/nyregion/04HUDS.html. The Final Strokes Are Kensett's Best . By GRACE GLUECK . With Eatons Neck, Long Island, the Luminist landscape painter John Frederick Kensett did not have far to go for subject matter. In the late 1860's he bought land and built a studio on an island near Darien, Conn., off the shore of Long Island Sound. And in the summer of 1872, he painted about 40 views, including many of the points along the Sound and the Connecticut shore. As a group, they are known as the "Last Summer's Work," since he died in December of that year at age 56. Of them, Eatons Neck is the best known and the most haunting. It is a masterly distillation in which the curving shoreline, water and sky a... Read full biography
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Magazine Articles (42)
Magazine articles based on askART research. List may not be comprehensive.
- Insights Into the Artistic Process of the Hudson River SchoolApril 2006Phillips, A'DoraDrawing: American Artist
- The Hudson River School at the New York Historical SocietyOctober 2005Ferber, Linda & Vedder, Lee AAmerican Art Review
- 19th Century American PaintingsJanuary 2005Vedder, Lee AThe Magazine Antiques
- Envisioning New EnglandDecember 2004Grinnell & HunterAmerican Art Review
- Mid-19th Century Painting & the ItaDecember 2004Manoguerra, Paul AAmerican Art Review
- Nuts & BoltsOctober 2004Editors, American ArtistAmerican Artist
- American Artists Abroad and Their IOctober 2004Stula, NancyAmerican Art Review
- The John Wilmerding CollectionSeptember 2004Anderson, Nancy KThe Magazine Antiques
- Merchandising AmericaSeptember 2004McIntosh, DeCourcy EThe Magazine Antiques
- Auction ReviewsJuly 2004Editors, Art + AuctionArt & Auction
- Ship to ShoreJuly 2004McClelland, JamesArt & Antiques
- Mead Art MuseumJune 2004Clark, TrinkettAmerican Art Review
- Williams College Museum of ArtJune 2004Stomberg, John RAmerican Art Review
- The Hickory Museum of ArtMay 2004Mirabella, StephenAmerican Arts Quarterly
- American Masters: The John WilmerdiApril 2004Kelly, FranklinAmerican Art Review
- Perspective: Best Seats in the HousMarch 2004Esterow, MiltonARTnews
- The Golden Anniversary of the SloanDecember 2003Brauer, Richard HAmerican Art Review
- Art & Antiques New YorkJune 2003Tapp, BarbaraArt & Antiques
- Museum accessionsJanuary 2003Gustafson, Eleanor HThe Magazine Antiques
- 100 Top TreasuresNovember 2002Masello, Page, GoldsteinArt & Antiques
- The Sublime LandscapeOctober 2002Moss, E. LynneAmerican Artist
- News BriefsJune 2002Editor, CAC NewsletterCalifornia Art Club Newsletter
- National NewsJune 2002Editors, ARTnewsARTnews
- Art MarketMay 2002Editors, ARTnewsARTnews
- States of GraceJanuary 2002Editor, ArtForumARTFORUM
- John Frederick KensettOctober 2001Smith, Ann YAmerican Art Review
- Living With AntiquesNovember 2000Pisano, RonaldThe Magazine Antiques
- Painters and the American WestOctober 2000Troccoli, Joan CarpenterAmerican Art Review
- Drawings in the Adirondack MuseumJuly 2000Witthoft, BruciaThe Magazine Antiques
- An Overview of Marine ArtApril 2000Jinishian, J. RussellAmerican Artist
- The American WingJanuary 2000Howat, John, Kevin AveryThe Magazine Antiques
- The VerdictOctober 1999Kotz, Mary LynARTnews
- The Painted Sketch, 1830-1880February 1999Harvey, Eleanor JonesAmerican Art Review
- American Paintings, 1850-1930November 1998Kelly, FranklinThe Magazine Antiques
- Masterworks of the AdirondacksAugust 1997Welsch, Caroline MAmerican Art Review
- Paintings of the AdirondackJuly 1997Welsh, CarolineThe Magazine Antiques
- Twenty Years of ArtDecember 1996Goley, Mary AnneAmerican Art Review
- Elizabeth Hart Colt/PatronDecember 1996Hosley, WilliamThe Magazine Antiques
- 150 Years of American PaintingOctober 1995Gibbs, Linda JonesAmerican Art Review
- Newport of 19th CenturyApril 1995Burns, Charles JThe Magazine Antiques
- American Landscape Pairs/1850'sNovember 1994Kelly, FranklinThe Magazine Antiques
- The High Museum of ArtAugust 1994Larson, JudyAmerican Art Review