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Magazine articles page for Lynda Benglis ((Born 1941)), known for Sculpture-knot shaped 'environments', fountains, graphics. Showing 16 magazine articles.
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Born 1941 Lake Charles, Louisiana. Known for: Sculpture-knot shaped 'environments', fountains, graphics.
In the summer of 1964, Lynda Benglis, described "as a very canny young woman from Louisiana, Tulane BFA in hand", made her way to New York on a bus filled with anti-Jim Crow activists on their way... Read full biography
In the summer of 1964, Lynda Benglis, described "as a very canny young woman from Louisiana, Tulane BFA in hand", made her way to New York on a bus filled with anti-Jim Crow activists on their way home from Mississippi. She lost her Southern accent as fast as she could and enrolled at the Brooklyn... Read full biography
In the summer of 1964, Lynda Benglis, described "as a very canny young woman from Louisiana, Tulane BFA in hand", made her way to New York on a bus filled with anti-Jim Crow activists on their way home from Mississippi. She lost her Southern accent as fast as she could and enrolled at the Brooklyn Museum Art School; within a few months, it seems, she knew almost everyone in the art world. Her blunt manner must have been balanced by considerable charm if, as the story goes, she really got away... Read full biography
In the summer of 1964, Lynda Benglis, described "as a very canny young woman from Louisiana, Tulane BFA in hand", made her way to New York on a bus filled with anti-Jim Crow activists on their way home from Mississippi. She lost her Southern accent as fast as she could and enrolled at the Brooklyn Museum Art School; within a few months, it seems, she knew almost everyone in the art world. Her blunt manner must have been balanced by considerable charm if, as the story goes, she really got away with telling David Hockney, at one of his openings, that his drawings were good but that he ought to forget about his paintings. She also recommended to Dan Flavin, still making painted boxes with light-bulbs sticking out, that maybe he could lose the... Read full biography
In the summer of 1964, Lynda Benglis, described "as a very canny young woman from Louisiana, Tulane BFA in hand", made her way to New York on a bus filled with anti-Jim Crow activists on their way home from Mississippi. She lost her Southern accent as fast as she could and enrolled at the Brooklyn Museum Art School; within a few months, it seems, she knew almost everyone in the art world. Her blunt manner must have been balanced by considerable charm if, as the story goes, she really got away with telling David Hockney, at one of his openings, that his drawings were good but that he ought to forget about his paintings. She also recommended to Dan Flavin, still making painted boxes with light-bulbs sticking out, that maybe he could lose the boxes, which he eventually did. The New York art world was smaller then with "nobody was going to these openings," Benglis r... Read full biography
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Magazine Articles (16)
Magazine articles based on askART research. List may not be comprehensive.
- ReviewsNovember 2005Editors, ArtnewsARTnews
- Underrated/OverratedJanuary 2005Sheets, Hilarie MARTnews
- Bone of ContentionNovember 2004Meyer, RichardARTFORUM
- Review of ExhibitionsSeptember 2004Editors, Art in AmericaArt in America
- ReviewsJune 2004Editors, ARTnewsARTnews
- How Far Can You Go?January 2004Yablonsky, LindaARTnews
- Review of ExhibitionsOctober 2002Editors, Art in AmericaArt in America
- First Break-Lynda BenglisOctober 2002Schwabsky, BarryARTFORUM
- ReviewsSeptember 2002Editors, ARTnewsARTnews
- ReviewsApril 2001Editor, ARTWeekARTweek
- Odyssues's ProgenySeptember 2000Kalina, RichardArt in America
- Review of ExhibitionsNovember 1998Editors, Art in AmericaArt in America
- New York ReviewsNovember 1998Editors, ARTnewsARTnews
- Abstraction Out of BoundsNovember 1997Rubinstein, RaphaelArt in America
- Site SpecificsApril 1997Landi, AnnARTnews
- Mothers, Mentors andJanuary 1996Sizemore, GeneARTnews