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Magazine articles page for Milton Clark Avery ((1885 - 1965)), known for Abstract sea-landscape and nude figure painting. Showing 46 magazine articles.
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1885 Altmar, New York - 1965 New York City. Known for: Abstract sea-landscape and nude figure painting.
Known as a colorist focused on serene mood, harmony, and rounded shapes, Milton Avery was primarily a self-taught painter whose work combining abstraction and realism suggests dialogue between line,... Read full biography
Known as a colorist focused on serene mood, harmony, and rounded shapes, Milton Avery was primarily a self-taught painter whose work combining abstraction and realism suggests dialogue between line, shape, muted color, and subdued emotions. Most of his subjects were either marine scenes or figure... Read full biography
Known as a colorist focused on serene mood, harmony, and rounded shapes, Milton Avery was primarily a self-taught painter whose work combining abstraction and realism suggests dialogue between line, shape, muted color, and subdued emotions. Most of his subjects were either marine scenes or figure studies. Although never associated with a particular movement, Avery was a key modernist who influenced succeeding generations of artists including Color Field painters Mark Rothko and Adolph Gottlieb.... Read full biography
Known as a colorist focused on serene mood, harmony, and rounded shapes, Milton Avery was primarily a self-taught painter whose work combining abstraction and realism suggests dialogue between line, shape, muted color, and subdued emotions. Most of his subjects were either marine scenes or figure studies. Although never associated with a particular movement, Avery was a key modernist who influenced succeeding generations of artists including Color Field painters Mark Rothko and Adolph Gottlieb. Born in Altmar, New York, Avery studied art in Hartford at the Connecticut League of Art Students before settling in New York City in 1925. 1944 was a watershed year for Avery, largely because of a new gallery association with Paul Rosenberg in New... Read full biography
Known as a colorist focused on serene mood, harmony, and rounded shapes, Milton Avery was primarily a self-taught painter whose work combining abstraction and realism suggests dialogue between line, shape, muted color, and subdued emotions. Most of his subjects were either marine scenes or figure studies. Although never associated with a particular movement, Avery was a key modernist who influenced succeeding generations of artists including Color Field painters Mark Rothko and Adolph Gottlieb. Born in Altmar, New York, Avery studied art in Hartford at the Connecticut League of Art Students before settling in New York City in 1925. 1944 was a watershed year for Avery, largely because of a new gallery association with Paul Rosenberg in New York. Rosenberg had fled to New York from Europe with both a strong interest and inventory of avant-garde paintings,... Read full biography
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Magazine Articles (46)
Magazine articles based on askART research. List may not be comprehensive.
- Andrew Wyeth Picks 20 Great American WatercoloristsOctober 2006Doherty, M. StephenWatercolor: American Artist
- California Best of the WestSeptember 2006Editors, Southwest ArtSouthwest Art
- Review of ExhibitionsDecember 2005Editors, Art in AmericaArt in America
- Mead Art MuseumJune 2004Clark, TrinkettAmerican Art Review
- Mount Holyoke College Art MuseumJune 2004Doezema, MarianneAmerican Art Review
- at the fairJanuary 2004Editors, Art & AuctionArt & Auction
- Art CrimesOctober 2003Editor, Art & AntiquesArt & Antiques
- Traveling Collector-Greenwich TimeSeptember 2003Lew, IrvinaArt & Antiques
- american paintings, auction reviewAugust 2003Berman, Ann EArt & Auction
- Luring the International CrowdJuly 2003Indyke, DottieARTnews
- MarketfileJune 2003Editors, Art & AuctionArt & Auction
- Art MarketJune 2003Editors, ARTnewsARTnews
- National ReviewsMay 2003Editors, ARTnewsARTnews
- Take a Deep BreathMay 2003Esterow, MiltonARTnews
- Principals of Design; Geoffrey BradMay 2003Mason, Brook SArt & Auction
- DatebookFebruary 2003Editors, Art & AuctionArt & Auction
- Critics = Style - Setters?February 2003Kramer, HiltonArt & Antiques
- Gallery WatchJanuary 2003Editors, Art & AntiquesArt & Antiques
- Report from Arizona-Not a MirageDecember 2002Rubinstein, RaphaelArt in America
- The American Artist in ConnecticutAugust 2002Andersen, Jeffrey WAmerican Art Review
- Texas: Best of the WestJune 2002Bucher, KristinSouthwest Art
- Summers of InspirationJune 2002Carmean, E.A., Jr.Art & Antiques
- MarketfileJune 2002Editors, Art & AuctionArt & Auction
- ReviewsJune 2002Editors, ARTnewsARTnews
- Report from MilwaukeeMay 2002Snodgrass, SusanArt in America
- Front PageApril 2002Editors, Art in AmericaArt in America
- Museum SceneDecember 2001Editors, Art & AntiquesArt & Antiques
- The Circus in 20-century American ANovember 2001Gustafson, DonnaThe Magazine Antiques
- Artful AdviceMarch 2001Greco, JoAnnArt & Antiques
- Passing the TorchJune 2000Adams, Rebecca KnappArt & Antiques
- Date bookMarch 2000EditorsArt & Auction
- The Art ShowFebruary 2000Adams, Rebecca KnappArt & Auction
- Traveling CollectorJanuary 2000EditorsArt & Antiques
- SurroundingsNovember 1999Momim, ShamimSouthwest Art
- The Woodstock Art ColonyOctober 1999Sturges, Hollister IIIAmerican Art Review
- Milton Avery, Color PoetApril 1999Haskel, BarbaraSouthwest Art
- In the GalleriesMarch 1999Editors, Art TalkArt-Talk
- Going to TownNovember 1998Rawlings, IreneArt & Antiques
- Masterworks/Munson-Williams-ProctorJune 1998Schweitzer, Paul DAmerican Art Review
- Two Centuries of American DrawingDecember 1997Dreishpoon, DouglasAmerican Art Review
- Milton AveryAugust 1996Verderame, LoriAmerican Art Review
- Looking at Art/Milton AveryNovember 1995Weil, RexARTnews
- Art: Modern American SeascapesJuly 1995Berman, AvisArchitectural Digest
- Milton AveryMay 1995Borgenicht, GraceARTnews
- Methods and MaterialsFebruary 1995AA editorsAmerican Artist
- Against the StreamJune 1994AR editorsAmerican Art Review