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Magazine articles page for Mitchell Siporin ((1910 - 1976)), known for Mod figure, surreal genre and non objective painting. Showing 1 magazine articles.
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1910 New York City - 1976 Newton, Massachusetts. Known for: Mod figure, surreal genre and non objective painting.
Mitchell Siporin was well known for his commitment to social justice, which shines through in many of his easel Social Realist paintings and major murals. He was stationed in Italy with the Army Art... Read full biography
Mitchell Siporin was well known for his commitment to social justice, which shines through in many of his easel Social Realist paintings and major murals. He was stationed in Italy with the Army Art Corps during WWII. After the war, Siporin won a Guggenheim Fellowship* and the Prix de Rome*.... Read full biography
Mitchell Siporin was well known for his commitment to social justice, which shines through in many of his easel Social Realist paintings and major murals. He was stationed in Italy with the Army Art Corps during WWII. After the war, Siporin won a Guggenheim Fellowship* and the Prix de Rome*. Source: . Elizabeth Kennedy, Chicago Modern 1893-1945... Read full biography
Mitchell Siporin was well known for his commitment to social justice, which shines through in many of his easel Social Realist paintings and major murals. He was stationed in Italy with the Army Art Corps during WWII. After the war, Siporin won a Guggenheim Fellowship* and the Prix de Rome*. Source: . Elizabeth Kennedy, Chicago Modern 1893-1945... Read full biography
Mitchell Siporin was well known for his commitment to social justice, which shines through in many of his easel Social Realist paintings and major murals. He was stationed in Italy with the Army Art Corps during WWII. After the war, Siporin won a Guggenheim Fellowship* and the Prix de Rome*. Source: . Elizabeth Kennedy, Chicago Modern 1893-1945... Read full biography
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Magazine Articles (1)
Magazine articles based on askART research. List may not be comprehensive.
- When Artists Became WorkersFebruary 1997Braufman, SheilaAmerican Art Review