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Magazine articles page for Richard Edward Miller ((1875 - 1943)), known for Figure-female, portrait and landscape painting. Showing 13 magazine articles.
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1875 St. Louis, Missouri - 1943 St. Augustine, Florida. Known for: Figure-female, portrait and landscape painting.
A plein-air and impressionist painter as well as illustrator, Richard Miller was especially known for his paintings of female figures in sunlit interiors. He was part of the American art colony in... Read full biography
A plein-air and impressionist painter as well as illustrator, Richard Miller was especially known for his paintings of female figures in sunlit interiors. He was part of the American art colony in Paris during the late 19th and early 20th centuries, staying from 1898 to 1914 when World War I began.... Read full biography
A plein-air and impressionist painter as well as illustrator, Richard Miller was especially known for his paintings of female figures in sunlit interiors. He was part of the American art colony in Paris during the late 19th and early 20th centuries, staying from 1898 to 1914 when World War I began. His reputation in France was so distinguished that he was made a Chevalier in the Legion of Honor. Returning to the United States, he taught at the Stickney School in Pasadena, California from 1915... Read full biography
A plein-air and impressionist painter as well as illustrator, Richard Miller was especially known for his paintings of female figures in sunlit interiors. He was part of the American art colony in Paris during the late 19th and early 20th centuries, staying from 1898 to 1914 when World War I began. His reputation in France was so distinguished that he was made a Chevalier in the Legion of Honor. Returning to the United States, he taught at the Stickney School in Pasadena, California from 1915 to 1917 and was a member of the California Art Club, dedicated to "plein-air" painting. He then became a prominent painter in Provincetown, Massachusetts and Provincetown, Rhode Island where, as a teacher at the Mary Wheeler School, he took students... Read full biography
A plein-air and impressionist painter as well as illustrator, Richard Miller was especially known for his paintings of female figures in sunlit interiors. He was part of the American art colony in Paris during the late 19th and early 20th centuries, staying from 1898 to 1914 when World War I began. His reputation in France was so distinguished that he was made a Chevalier in the Legion of Honor. Returning to the United States, he taught at the Stickney School in Pasadena, California from 1915 to 1917 and was a member of the California Art Club, dedicated to "plein-air" painting. He then became a prominent painter in Provincetown, Massachusetts and Provincetown, Rhode Island where, as a teacher at the Mary Wheeler School, he took students to Giverny, France for many successive summers. Miller's early painting was tonalistic, and included a series of night s... Read full biography
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Magazine Articles (13)
Magazine articles based on askART research. List may not be comprehensive.
- The William & Anna Singer CollectionFebruary 2007Schretlen, HelenAmerican Art Review
- American Impressionism: Variations on a ThemeApril 2006Wolfe, M. MelissaAmerican Art Review
- Paintings at Indianapolis MuseumJune 2005Warkel, Harriet GAmerican Art Review
- The Golden Age of American ImpressiDecember 2003Gerdts, William HAmerican Art Review
- Travels of American ImpressionistsAugust 2002Solon, Deborah EpsteinAmerican Art Review
- Current and ComingJune 2002Ledes, Allison EckardtThe Magazine Antiques
- Exponents of the Boston SchoolApril 2000Curtis, Judith AAmerican Art Review
- Louis Comfort Tiffany's 1893 ChapelFebruary 2000Malloy, Jean; Donna ClimenhageAmerican Art Review
- A Century of Impressionism on CapeAugust 1999Nickerson, CindyAmerican Art Review
- American ArtJanuary 1998Editor, Art-talkArt-Talk
- New Britain Museum American ArtJune 1997Buckley, LaurenceAmerican Art Review
- ReviewsJune 1997Editors, ArtnewsARTnews
- Amer Paintings in S Cal CollectionsMay 1996Fort, Ilene SusanAmerican Art Review