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Magazine articles page for Romare Howard Bearden ((1911 - 1988)), known for Modernist African-American figure and landscape painting, collage. Showing 38 magazine articles.
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1911 Charlotte, North Carolina - 1988 New York City. Known for: Modernist African-American figure and landscape painting, collage.
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works the viewer will see images of both trains and jazz. Bearden's use of color was also unique. He was strongly affected by a trip he made to the Caribbean. Because he lived in such urban, "dirty" cities as New York, Bearden was overwhelmed by the rich,... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works the viewer will see images of both trains and jazz. Bearden's use of color was also unique. He was strongly affected by a trip he made to the Caribbean. Because he lived in such urban, "dirty" cities as New York, Bearden was overwhelmed by the rich, vivid, "clean" colors of the tropics. He soaked in these colors, and used them in his works to try and... Read full biography
Romare Howard Bearden - Artist Info
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Magazine Articles (38)
Magazine articles based on askART research. List may not be comprehensive.
- Drawings & Watercolors, Hood MuseumMarch 2005MacAdam, Barbara JAmerican Art Review
- Beyond BasketballJanuary 2005Berkow, IraARTnews
- ReviewsJanuary 2005Editor, ARTnewsARTnews
- Culturally SpeakingDecember 2004Seckel, CorneliaArt Times
- CalendarOctober 2004Editors, Art+AuctionArt & Auction
- Nuts & BoltsSeptember 2004Editors, American ArtistAmerican Artist
- Museum SceneSeptember 2004Editors, Art & AntiquesArt & Antiques
- Fall 2004 PreviewSeptember 2004Editors, ArtforumARTFORUM
- Art Events-TexasJuly 2004Osterman, JulieSouthwest Art
- Mount Holyoke College Art MuseumJune 2004Doezema, MarianneAmerican Art Review
- ARTtalkMay 2004Editors, ARTnewsARTnews
- Melting Pot: Art That Looks Like AmApril 2004Severens, Martha RAmerican Art Review
- Museum SceneMarch 2004Editors, Art & AntiquesArt & Antiques
- Preview Winter 2004January 2004Editors, ArtforumARTFORUM
- Art MarketJanuary 2004Editors, ARTnewsARTnews
- Capital GainsDecember 2003Protzman, FerdinandARTnews
- ReviewsNovember 2003Editors, ARTnewsARTnews
- A Game of HopscotchSeptember 2003Fine, RuthARTnews
- The Rise of African American ArtSeptember 2003Kinsella, EileenARTnews
- Walter O Evans CollectionJune 2003Benjamin, Tritobia HayesAmerican Art Review
- The CollectorsJanuary 2003Cushman, JenniferScottsdale Life
- Dynamics of the Artist-Dealer RelatApril 2001Grant, DanielAmerican Artist
- Museum SceneMarch 2001EditorsArt & Antiques
- Top 100 Collectors in AmericaMarch 2001Scott, Sue Leeds, ValerieArt & Antiques
- National NewsNovember 2000Editors, ARTnewsARTnews
- Evolution of African-American ArtAugust 2000Hampton, R KumasiAmerican Art Review
- Date BookJanuary 2000EditorsArt & Auction
- Art TalkAugust 1999Landi, AnnARTnews
- The Blount Corporate Art CollectionJune 1999Murphy, Carolyn ShaferAmerican Art Review
- ReviewsJanuary 1999Editors, ARTnewsARTnews
- ReviewsSeptember 1998EditorsArt & Auction
- In the GalleriesJanuary 1998Editors, Art & AuctionArt & Auction
- In the Eye of the StormDecember 1995Pohl, FrancesAmerican Art Review
- PrintsSeptember 1995Rainwater, Robert/Eric GibsonARTnews
- An All American ShowMay 1995Loos, TedArt & Antiques
- Contemporary CollageMay 1995Rosenblum, RobertArchitectural Digest
- artnews NATIONALMarch 1995Editors, Art NewsARTnews
- A Graphic OdysseyJune 1994AR editorsAmerican Art Review
