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Magazine articles page for Severin Roesen ((1815 - 1872)), known for Sumptuous still life. Showing 15 magazine articles.
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1815 Germany - 1872. Known for: Sumptuous still life.
Known for sumptuous, highly realistic still life with a brilliant palette, he was born in Germany near Cologne and likely trained as a porcelain and enamel painter. In 1848, he emigrated with his... Read full biography
Known for sumptuous, highly realistic still life with a brilliant palette, he was born in Germany near Cologne and likely trained as a porcelain and enamel painter. In 1848, he emigrated with his family to New York where he exhibited still life paintings at the American Art Union. In 1857, he moved... Read full biography
Known for sumptuous, highly realistic still life with a brilliant palette, he was born in Germany near Cologne and likely trained as a porcelain and enamel painter. In 1848, he emigrated with his family to New York where he exhibited still life paintings at the American Art Union. In 1857, he moved to Williamsport, Pennsylvania and continued to paint detailed floral still lifes in the tradition of the 17th-century Dutch and German painters. Mysteriously, he left Williamsport in 1872, and... Read full biography
Known for sumptuous, highly realistic still life with a brilliant palette, he was born in Germany near Cologne and likely trained as a porcelain and enamel painter. In 1848, he emigrated with his family to New York where he exhibited still life paintings at the American Art Union. In 1857, he moved to Williamsport, Pennsylvania and continued to paint detailed floral still lifes in the tradition of the 17th-century Dutch and German painters. Mysteriously, he left Williamsport in 1872, and nothing further is known about him. His paintings suited American taste in that they reflected mid-19th century optimism in the richness and abundance of the nation. For many of his still lifes, he used the popular oval format with heightened palette and... Read full biography
Known for sumptuous, highly realistic still life with a brilliant palette, he was born in Germany near Cologne and likely trained as a porcelain and enamel painter. In 1848, he emigrated with his family to New York where he exhibited still life paintings at the American Art Union. In 1857, he moved to Williamsport, Pennsylvania and continued to paint detailed floral still lifes in the tradition of the 17th-century Dutch and German painters. Mysteriously, he left Williamsport in 1872, and nothing further is known about him. His paintings suited American taste in that they reflected mid-19th century optimism in the richness and abundance of the nation. For many of his still lifes, he used the popular oval format with heightened palette and detailed attention to each piece of fruit. ----------------------------------------------------------------------. Severin Roesen w... Read full biography
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Magazine Articles (15)
Magazine articles based on askART research. List may not be comprehensive.
- American Still-Life Paintings in the Jacobsen CollectionApril 2006Burke, James DAmerican Art Review
- Selections from the Dr & Mrs HenryAugust 2005Landon, Dr Henry C IIIAmerican Art Review
- Springfield Art MuseumsJune 2004Haskell, Heather RAmerican Art Review
- Traveling Collector-Greenwich TimeSeptember 2003Lew, IrvinaArt & Antiques
- Americana from the US Department ofApril 2003Fairbanks and SerfatyAmerican Art Review
- Art PatriotMarch 2002Cochran, Rebecca DimlingArt & Antiques
- Dallas Museum of ArtDecember 2001Harvey, Eleanor; Lyle GrayAmerican Art Review
- San Antonio Museum of ArtDecember 2001Scott, Gerry D IIIAmerican Art Review
- MarketplaceFebruary 2001Editors, Art & AuctionArt & Auction
- Treasures from the SmithsonianApril 2000Severens, Martha RAmerican Art Review
- New Britain Museum of American ArtApril 1999Buckley, LaureneAmerican Art Review
- Treasures from Westmoreland MuseumFebruary 1999O'Toole, Judith/ Carla HerlingAmerican Art Review
- William & Abigail Gerdts CollectionApril 1998Gerdts, William HAmerican Art Review
- Reflections of TasteFebruary 1997Sturges, HollisterAmerican Art Review
- Things on the TableJune 1994AR editorsAmerican Art Review