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Magazine articles page for Thomas Moran ((1837 - 1926)), known for Landscape and marine painting, topography. Showing 71 magazine articles.
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1837 Bolton, Lancashire, England - 1926 Santa Barbara, California. Known for: Landscape and marine painting, topography.
Regarded as the primary artist of the final decades of Western exploration, Thomas Moran made eight trips West between 1871 and 1892 and created a body of oil and watercolor sketches that remain a... Read full biography
Regarded as the primary artist of the final decades of Western exploration, Thomas Moran made eight trips West between 1871 and 1892 and created a body of oil and watercolor sketches that remain a primary record of that period. In fact, his painting was so associated with the West that he was... Read full biography
Regarded as the primary artist of the final decades of Western exploration, Thomas Moran made eight trips West between 1871 and 1892 and created a body of oil and watercolor sketches that remain a primary record of that period. In fact, his painting was so associated with the West that he was referred to as T. Yellowstone Moran. In 1873, he began signing his name with a monogram that incorporated "Y" into his initials, and from 1911, he added a thumbprint. He was born in Bolton, Lancashire,... Read full biography
Regarded as the primary artist of the final decades of Western exploration, Thomas Moran made eight trips West between 1871 and 1892 and created a body of oil and watercolor sketches that remain a primary record of that period. In fact, his painting was so associated with the West that he was referred to as T. Yellowstone Moran. In 1873, he began signing his name with a monogram that incorporated "Y" into his initials, and from 1911, he added a thumbprint. He was born in Bolton, Lancashire, England, and his father was a hand-loom weaver. In 1844, his family emigrated to Philadelphia where in 1853, he apprenticed to a wood engraving firm and sketched designs on blocks. He also studied with his older brother, Edward, a marine and historical... Read full biography
Regarded as the primary artist of the final decades of Western exploration, Thomas Moran made eight trips West between 1871 and 1892 and created a body of oil and watercolor sketches that remain a primary record of that period. In fact, his painting was so associated with the West that he was referred to as T. Yellowstone Moran. In 1873, he began signing his name with a monogram that incorporated "Y" into his initials, and from 1911, he added a thumbprint. He was born in Bolton, Lancashire, England, and his father was a hand-loom weaver. In 1844, his family emigrated to Philadelphia where in 1853, he apprenticed to a wood engraving firm and sketched designs on blocks. He also studied with his older brother, Edward, a marine and historical painter, whose studio he shared. In 1860, he made his first trip heading west, going to Lake... Read full biography
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Magazine Articles (71)
Magazine articles based on askART research. List may not be comprehensive.
- Legends of the West" The Foxley CollectionDecember 2006Joyner, J. BrooksAmerican Art Review
- Andrew Wyeth Picks 20 Great American WatercoloristsOctober 2006Doherty, M. StephenWatercolor: American Artist
- Thomas Moran: Painting in the ParksAugust 2006Harris, Adam DuncanAmerican Art Review
- The Gund Collection at the Eiteljorg MuseumFebruary 2006Campbell, SuzanAmerican Art Review
- Selections from the Dr & Mrs HenryAugust 2005Landon, Dr Henry C IIIAmerican Art Review
- Best WesternJuly 2005Dorfman, JohnArt & Auction
- The Power List 2004December 2004Editors, Art & AuctionArt & Auction
- The Blanton Museum of Art, C.R. SmiDecember 2004Saunders, Richard HAmerican Art Review
- marketfileOctober 2004Editors, Art+AuctionArt & Auction
- What's NewsSeptember 2004Editors, Art of the WestArt of the West
- Art Events-CaliforniaSeptember 2004Gangelhoff, BonnieSouthwest Art
- Masterworks: Selections from theSeptember 2004Steiner, Raymond JArt Times
- Best of the West-CaliforniaAugust 2004Gangelhoff, BonnieSouthwest Art
- Spirit of the WestJuly 2004Fauntleroy, GussieArt & Antiques
- Art Events-Coast to CoastJuly 2004Osterman, JulieSouthwest Art
- By the SeaJune 2004Kolpas, NormanSouthwest Art
- Gallery WatchMarch 2004Editors, Art & AntiquesArt & Antiques
- Arizona-Best of the WestFebruary 2004Editors, Southwest ArtSouthwest Art
- Frank Frazetta: Power and VisionFebruary 2004Stout, WilliamCalifornia Art Club Newsletter
- Museum SceneDecember 2003Editors, Art & AntiquesArt & Antiques
- Art Events-ColoradoDecember 2003Gangelhoff, BonnieSouthwest Art
- Chicago and the Art of the New FronOctober 2003Barter, J.A. & Kelly, S.American Art Review
- Art Events-ColoradoOctober 2003Gangelhoff, BonnieSouthwest Art
- American Art at the Flint InstituteOctober 2003Leeds, Valerie AnnAmerican Art Review
- That Wilder Image: The Hudson RiverAugust 2003De Pietro, Anne CohenAmerican Art Review
- The New Gold RushMay 2003Kinsella, EileenARTnews
- Americana from the US Department ofApril 2003Fairbanks and SerfatyAmerican Art Review
- In the Land of Casanova: AmericanFebruary 2003Adams, ElaineCalifornia Art Club Newsletter
- Art Market, Auction Records forFebruary 2003McCord, AndyARTnews
- Call Him YellowstoneNovember 2002Nottage, James H.Art of the West
- BooksOctober 2002Editors, ARTnewsARTnews
- The Rocky Mountain Plein Air PainteOctober 2002Gangelhoff, BonnieSouthwest Art
- Epic Landscapes of Our NationOctober 2002Noon, PatrickAmerican Art Review
- News from the California Art SceneSeptember 2002Editors, Southwest ArtSouthwest Art
- States of GraceJanuary 2002Editor, ArtForumARTFORUM
- Art EventsJanuary 2002Herrin, AliceSouthwest Art
- Dallas Museum of ArtDecember 2001Harvey, Eleanor; Lyle GrayAmerican Art Review
- Stark Museum of ArtDecember 2001Hunter, Richard; David HuntAmerican Art Review
- Picturing the Sunshine StateAugust 2001Arbitman, Kahren JonesArt & Antiques
- The best of the west: CA/CO/NM/TXApril 2001Editor, Southwest ArtSouthwest Art
- Thomas Moran and Spirit of PlaceApril 2001Harvey, Eleanor JonesAmerican Art Review
- On The MarketMarch 2001EditorsArt & Antiques
- ExhibitionsMarch 2001Noonan, CatherineAmerican Artist
- The American West: Out of MythDecember 2000Hassrick, PeterAmerican Art Review
- Blazing a Trail Into the SunsetOctober 2000Greben, Deidre SteinARTnews
- Painters and the American WestOctober 2000Troccoli, Joan CarpenterAmerican Art Review
- Southern Landscape PaintingDecember 1999Pennington, Estill CurtisAmerican Art Review
- New Britain Museum of American ArtApril 1999Buckley, LaureneAmerican Art Review
- American Paintings in GeorgiaFebruary 1999Keyes, DonaldAmerican Art Review
- Changing Times, Unchanging VisionsFebruary 1999May, StephenSouthwest Art
- American Works/Paine Art CenterOctober 1998Manoguerra, PaulAmerican Art Review
- Wyoming Through Artists' EyesAugust 1998Buster, LeslieSouthwest Art
- Best of the WestJuly 1998Busler, LeslieSouthwest Art
- Art NewsJune 1998Editors, Art TalkArt-Talk
- Masters of Color & LightJune 1998Ferber, Linda SAmerican Art Review
- Thomas MoranFebruary 1998May, StephenSouthwest Art
- Museum AccessionsDecember 1997Gustafson, EleanorThe Magazine Antiques
- Thomas MoranOctober 1997AR editorsAmerican Art Review
- The Salmagundi ClubOctober 1997Katlan, AlexanderAmerican Art Review
- ExhibitsOctober 1997Moss, LynneAmerican Artist
- SketchbookOctober 1997Wallis, StephenArt & Antiques
- Best of the WestSeptember 1997Green, GwenSouthwest Art
- What's NewsApril 1997Editors, Art of the WestArt of the West
- A Painter's Paradise (California)December 1996Gerdts, William HAmerican Art Review
- American Works on PaperDecember 1996Price, CharlesAmerican Art Review
- Amer Paintings in S Cal CollectionsMay 1996Fort, Ilene SusanAmerican Art Review
- Paintings of Florida in the VickersNovember 1995Cikovsky, Nicolai JrThe Magazine Antiques
- 150 Years of American PaintingOctober 1995Gibbs, Linda JonesAmerican Art Review
- artnews NATIONALMarch 1995Editors, Art NewsARTnews
- The Lure of ItalyFebruary 1995Stebbins, Theodore E JrAmerican Art Review
- The Blount CollectionJune 1994AR editorsAmerican Art Review
