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Magazine articles page for William James Glackens ((1870 - 1938)), known for Genre, figure, landscape and still-life painting. Showing 32 magazine articles.
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1870 Philadelphia, Pennsylvania - 1938 Westport, Connecticut. Known for: Genre, figure, landscape and still-life painting.
Born in Philadelphia, William Glackens became an Impressionist painter who modified the style by retaining delineation of figures. But early in his career, he was an active Social Realist when the... Read full biography
Born in Philadelphia, William Glackens became an Impressionist painter who modified the style by retaining delineation of figures. But early in his career, he was an active Social Realist when the 'Ash Can' approach to painting was being promoted by Glackens' good friend, Robert Henri. However,... Read full biography
Born in Philadelphia, William Glackens became an Impressionist painter who modified the style by retaining delineation of figures. But early in his career, he was an active Social Realist when the 'Ash Can' approach to painting was being promoted by Glackens' good friend, Robert Henri. However, Glackens eschewed subjects of the seamier side of society and adopted more refined depictions such as upper class persons strolling in parks, sitting in cafes, and studio posed still lifes and figures.... Read full biography
Born in Philadelphia, William Glackens became an Impressionist painter who modified the style by retaining delineation of figures. But early in his career, he was an active Social Realist when the 'Ash Can' approach to painting was being promoted by Glackens' good friend, Robert Henri. However, Glackens eschewed subjects of the seamier side of society and adopted more refined depictions such as upper class persons strolling in parks, sitting in cafes, and studio posed still lifes and figures. Of Glackens' inclination to distance himself from less-than-pleasant subjects, art historian Matthew Baigell wrote: "Of all the realists around Henri, Glackens was perhaps least attracted to the life of the streets, preferring scenes of middle-class... Read full biography
Born in Philadelphia, William Glackens became an Impressionist painter who modified the style by retaining delineation of figures. But early in his career, he was an active Social Realist when the 'Ash Can' approach to painting was being promoted by Glackens' good friend, Robert Henri. However, Glackens eschewed subjects of the seamier side of society and adopted more refined depictions such as upper class persons strolling in parks, sitting in cafes, and studio posed still lifes and figures. Of Glackens' inclination to distance himself from less-than-pleasant subjects, art historian Matthew Baigell wrote: "Of all the realists around Henri, Glackens was perhaps least attracted to the life of the streets, preferring scenes of middle-class activities in parks, in the theater, at shopping, or on vacation." (136). He also did many paintings of seaside resorts on Cape Cod and Long Isla... Read full biography
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Magazine Articles (32)
Magazine articles based on askART research. List may not be comprehensive.
- American Impressionism: Variations on a ThemeApril 2006Wolfe, M. MelissaAmerican Art Review
- Out of the AshcanMay 2005Berman, Ann E.Art & Auction
- 200th Anniversary of PA AcademyJanuary 2005Editors, American Art ReviewAmerican Art Review
- Chicago: The Soul of ModernSeptember 2004Connors, ThomasArt & Antiques
- Smith College Museum of ArtJune 2004Muehlig, LindaAmerican Art Review
- ReviewsMarch 2004Editors, ARTnewsARTnews
- Chromatic InventionMarch 2004Kramer, HiltonArt & Antiques
- American Narrative PaintingsFebruary 2004Eiland, William UnderwoodAmerican Art Review
- Current and ComingDecember 2003Ledes, Allison EckardtThe Magazine Antiques
- Art Events-Coast to CoastDecember 2003Osterman, JulieSouthwest Art
- What's NewsNovember 2003Editors, Art of the WestArt of the West
- Nuts & BoltsNovember 2002Editors, American ArtistAmerican Artist
- The First 100 Years of ARTnewsNovember 2002Hamill, PeteARTnews
- Popular Theater& Film in Early 20thOctober 2002McDonnell, PatriciaAmerican Art Review
- The Renoir Americans LovedAugust 2002Kern, Steven and Dawson, AnneThe Magazine Antiques
- The National Arts ClubFebruary 2002Adams, ElaineCalifornia Art Club Newsletter
- William GlackensAugust 2001Porter, Dean A.American Art Review
- The Eight in Southern CollectionsAugust 2000Gerdts, William HAmerican Art Review
- Bowdoin College Museum of ArtJune 2000Dimond, V ScottAmerican Art Review
- The Art ShowFebruary 2000Adams, Rebecca KnappArt & Auction
- The Forbes Magazine CollectionJune 1999Forbes, ChristopherAmerican Art Review
- Contemporary Sale/American ArtJanuary 1999Editors, Art TalkArt-Talk
- American Paintings, 1850-1930November 1998Kelly, FranklinThe Magazine Antiques
- Masterworks/Munson-Williams-ProctorJune 1998Schweitzer, Paul DAmerican Art Review
- Living With AntiquesNovember 1997Garrett, Wendel & ElisabethThe Magazine Antiques
- Wadsworth, AtheneumJune 1997AR editorsAmerican Art Review
- The Independents/The Ashcan SchoolMay 1996Leeds, ValerieAmerican Art Review
- Paintings of Florida in the VickersNovember 1995Cikovsky, Nicolai JrThe Magazine Antiques
- New York City and the Ashcan SchoolNovember 1995Mecklenburg, VirginiaThe Magazine Antiques
- The Legacy of Cape AnnOctober 1995Keny, JamesAmerican Art Review
- PerspectiveNovember 1994Esterow, MiltonARTnews
- Treasures of the CorcoranJune 1994AR editorsAmerican Art Review