After graduating from art school, Jay Moore worked in a graphic design firm in Denver for two years before working on his own as an illustrator. The pressures of illustration pushed him to a level of... Read full biography
After graduating from art school, Jay Moore worked in a graphic design firm in Denver for two years before working on his own as an illustrator. The pressures of illustration pushed him to a level of professionalism that he carries with him today. But it was not until the Art Students League of... Read full biography
After graduating from art school, Jay Moore worked in a graphic design firm in Denver for two years before working on his own as an illustrator. The pressures of illustration pushed him to a level of professionalism that he carries with him today. But it was not until the Art Students League of Denver offered a workshop with painter, Clyde Aspevig, that Jay truly considered abandoning illustration for fine art. An in-depth study of the great landscape painters revealed to Moore a common... Read full biography
After graduating from art school, Jay Moore worked in a graphic design firm in Denver for two years before working on his own as an illustrator. The pressures of illustration pushed him to a level of professionalism that he carries with him today. But it was not until the Art Students League of Denver offered a workshop with painter, Clyde Aspevig, that Jay truly considered abandoning illustration for fine art. An in-depth study of the great landscape painters revealed to Moore a common denominator; all these artists painted directly from nature, developing numerous preliminary sketches and color studies outdoors, a practice commonly referred to as plein air. It is from these field images that Moore's larger studio canvases come from.... Read full biography
After graduating from art school, Jay Moore worked in a graphic design firm in Denver for two years before working on his own as an illustrator. The pressures of illustration pushed him to a level of professionalism that he carries with him today. But it was not until the Art Students League of Denver offered a workshop with painter, Clyde Aspevig, that Jay truly considered abandoning illustration for fine art. An in-depth study of the great landscape painters revealed to Moore a common denominator; all these artists painted directly from nature, developing numerous preliminary sketches and color studies outdoors, a practice commonly referred to as plein air. It is from these field images that Moore's larger studio canvases come from. Today, the value of plein-air painting is universally respected. And yet, many landscape painters have abandoned the demands of field work for the c... Read full biography