Edward and Deborah Pollack Fine Art, LLC ART FOR SALE

Titled Ogunquit on a partial label marked "Provi . . . ," probably from an exhibition at the Providence Art Club, where she was a leading member and had a one-woman show in 1939

Exhibited: National Academy of Design, 1888; Memphis, Tennessee, The Dixon Gallery and Gardens, Celebrate America 19th Century Paintings from the Manoogian Collection, February-April 1999, no. 49, pp. 116-117, illustrated in color.

Provenance: Kensett Estate Sale, pictured. Retains its original ornate frame as seen in the sale's catalogue. Will be included in the John F. Kensett Catalogue Raisonné, begun by John Driscoll. Companion piece is at RISD.

From our archives of sold paintings.

Illustrated: Henry Richards, "About Dogs," The Aldine, September 1872, 174-175. Exhibited: Abbott H. Thayer, Carnegie Institute, 1919, owned by Alice L. Sand; Memorial exhibition of the work of Abbott Handerson Thayer, Metropolitan Museum of Art, 1922. A pair with "Who Said Rats."

A lovely beach scene by this renowned Cape Ann artist.

Signed again and titled on the reverse.

Inscribed on the back of the canvas, "Negro Town, St. Augustine, Florida." Exhibited: Images of Old Florida (1890-1950), December 21, 1990-February 3, 1991, Boca Raton Museum of Art. Bethel Church is on the left. Lincolnville is a prominent historical black neighborhood.

A prime example of a fanciful "barque" painting by Orville Bulman.

Exhibited at the Paris Salon of1889

Exhibited: Possibly Brooklyn Art Association, 1874; "Women Reframe American Landscape: Susie Barstow and Her Circle," Thomas Cole National Historic Site, May 6-Octoer 29, 2023, New Britain Museum of American Art, November 16-March 31, 2023, Leigh Yawkey Woodson Museum, May 4-August 25, 2024

From our archives of sold paintings.

Exhibited at Montross Gallery, New York (their gallery label with the title "Brook in the Woods" affixed to the back of the frame).

Provenance: Private collection, Manalapan, Florida. Original Bulman frame.

Abundantly illustrated, this definitive biography reveals Hermann Herzog’s journey from Germany to America, culminating in his travels throughout Florida. This inspired his utmost triumph—over 300 paintings of the state, of which 35 plates from a private collection are shown. 185 pgs., 3.5 lbs.

From our archives of sold paintings.

This scene is likely Anastasia Island, St. Augustine, where Laura Woodward spent part of the 1891 summer and painted many works. Note the Spanish bayonet palms, typical of this area. The sight size is 4 3/4 x13 1/4 inches, and the paper is not glued down, only affixed at the upper two corners.

Exhibited as A Quiet Street: J.D. Gill’s Art Gallery, Springfield, Massachusetts, February 1891; National Academy of Design, April 1891. Exhibited as Autumn Sunshine: Art Institute of Chicago, Oct/Nov 1891; Boston Art Club 1892; World’s Columbian Exposition, 1893, sold at the expo.

Backus fire sky paintings are very sought after and rare- just search every past auction sale and see if you can find one. Besides being 30 x 40 inches, from about 1950, and all palette knife this example is just simply visually amazing!

Spectacular. Should be in a museum. Inscribed beautifully by the artist on the reverse: "Lincolnville, St. Augustine, Fla. Febr. 1948."

From our archives of sold paintings.

Depicts Fort Marion, aka Castillo San Marcos, St. Augustine, Florida. Recorded: Sidney Bressler, Reynolds Beal: Impressionist Landscapes and Seascapes, p. 87, mistakenly entered as Fort at Jacksonville instead of St. Augustine. 1911 was Beal's 1st trip to Florida.

Also signed, titled, and dated 1969 on reverse. One of five paintings by Bulman at our gallery, "La Barque A Demain" is illustrated on page 164 in Orville Bulman: An Enchanted Life and Fantastic Legacy, by Deborah C. Pollack.

From our archives of sold paintings.

Painted on a French canvas. Exhibited, according to Frieseke's notebook, at the 1905 Salon de la Société Nationale des Beaux–Arts. Also exhibited at the Art Institute of Chicago, 1905. Included in the Frederick Frieseke Catalogue Raisonne.

Provenance: Denver Museum of Art Related painting: "The Boat House," Hood Museum of Art, Dartmouth College.

Signed, also signed and titled on the reverse, exhibited: Hammer Galleries, Literature: Orville Bulman: An Enchanted Life and Fantastic Legacy by Deborah C. Pollack

Illustrated: Henry Richards, "About Dogs," The Aldine, September 1872, 174-175. Exhibited: Abbott H. Thayer, Carnegie Institute, 1919, owned by Alice L. Sand; Memorial exhibition of the work of Abbott Handerson Thayer, Metropolitan Museum of Art, 1922. A pair with "Playing Sick."

A superlative still life of peonies by this Cincinnati artist.

Signed, also signed, titled, and dated 1971 on reverse. Recorded: Bulman Family Photographs. Original frame.

Exhibited: “Remember the Ladies: Women of the Hudson River School,” Thomas Cole National Historic Site; “Behold, A New Eden, Ann Norton Sculpture Gardens. Literature: Pollack, Laura Woodward; N. Siegel and J. Krieger, Remember the Ladies; Siegel (ed.) The Cultured Canvas, on cover, plate 19.

Old hand-written label on reverse with Peterson's address of 1007 Fifth Avenue, N.Y.C. A painting with the same title of "Bridge of Sighs" and Peterson's Fifth Avenue address was exhibited at the National Academy of Design in 1929. Most likely, this is the painting exhibited that year.

Provenance: Galerie St. Etienne, New York (the artist's dealer). Included in the catalogue raisonné by Otto Kallir

Provenance: John Driscoll, Babcock Galleries, New York