Edward and Deborah Pollack Fine Art, LLC ART FOR SALE

A lovely beach scene by this renowned Cape Ann artist.

Painted on a French canvas. Exhibited, according to Frieseke's notebook, at the 1905 Salon de la Société Nationale des Beaux–Arts. Also exhibited at the Art Institute of Chicago, 1905. Included in the Frederick Frieseke Catalogue Raisonne.

Exhibited: National Academy of Design, 1888; Memphis, Tennessee, The Dixon Gallery and Gardens, Celebrate America 19th Century Paintings from the Manoogian Collection, February-April 1999, no. 49, pp. 116-117, illustrated in color.

From our archives of sold paintings.

Inscribed: "For my old schoolmate Bob Philipp, Raphael Soyer, 1946." Can't beat the subject for Soyer. One artist paying homage to another. This work perfectly captures the mid century New York artists scene.

From our archives of sold paintings.

Inscribed on the back of the canvas, "Negro Town, St. Augustine, Florida." Exhibited: Images of Old Florida (1890-1950), December 21, 1990-February 3, 1991, Boca Raton Museum of Art. Bethel Church is on the left. Lincolnville is a prominent historical black neighborhood.

Provenance: Denver Museum of Art Related painting: "The Boat House," Hood Museum of Art, Dartmouth College.

Titled Ogunquit on a partial label affixed to the back of the canvas.

Provenance: Private collection, Manalapan, Florida. Original Bulman frame.

A prime example of a fanciful "barque" painting by Orville Bulman.

Provenance: John Driscoll, Babcock Galleries, New York

Exhibited at Montross Gallery, New York (their gallery label with the title "Brook in the Woods" affixed to the back of the frame).

Exhibited: Possibly Brooklyn Art Association, 1874; "Women Reframe American Landscape: Susie Barstow and Her Circle," Thomas Cole National Historic Site, May 6-Octoer 29, 2023, New Britain Museum of American Art, November 16-March 31, 2023, Leigh Yawkey Woodson Museum, May 4-August 25, 2024

Abundantly illustrated, this definitive biography reveals Hermann Herzog’s journey from Germany to America, culminating in his travels throughout Florida. This inspired his utmost triumph—over 300 paintings of the state, of which 35 plates from a private collection are shown. 185 pgs., 3.5 lbs.

Exhibited as A Quiet Street: J.D. Gill’s Art Gallery, Springfield, Massachusetts, February 1891; National Academy of Design, April 1891. Exhibited as Autumn Sunshine: Art Institute of Chicago, Oct/Nov 1891; Boston Art Club 1892; World’s Columbian Exposition, 1893, sold at the expo.

Exhibited at the Paris Salon of1889

Also, inscribed on reverse, "In St. George Street, St. Augustine, Florida by F.H. Shapleigh."

Signed, also signed, titled, and dated 1971 on reverse. Recorded: Bulman Family Photographs. Original frame.

Illustrated: Henry Richards, "About Dogs," The Aldine, September 1872, 174-175. Exhibited: Abbott H. Thayer, Carnegie Institute, 1919, owned by Alice L. Sand; Memorial exhibition of the work of Abbott Handerson Thayer, Metropolitan Museum of Art, 1922. A pair with "Playing Sick."

A superlative still life of peonies by this Cincinnati artist.

Backus used palette knife throughout this painting.

Provenance: Galerie St. Etienne, New York (the artist's dealer). Included in the catalogue raisonné by Otto Kallir

Exhibited: “Remember the Ladies: Women of the Hudson River School,” Thomas Cole National Historic Site; “Behold, A New Eden, Ann Norton Sculpture Gardens. Literature: Pollack, Laura Woodward; N. Siegel and J. Krieger, Remember the Ladies; Siegel (ed.) The Cultured Canvas, on cover, plate 19.

Signed, also signed and titled on the reverse, exhibited: Hammer Galleries, Literature: Orville Bulman: An Enchanted Life and Fantastic Legacy by Deborah C. Pollack

From our archives of sold paintings.

Also signed, titled, and dated 1969 on reverse. One of five paintings by Bulman at our gallery, "La Barque A Demain" is illustrated on page 164 in Orville Bulman: An Enchanted Life and Fantastic Legacy, by Deborah C. Pollack.

From our archives of sold paintings.

Signed again and titled on the reverse.

Provenance: Kensett Estate Sale, 1873, pictured in the sale. Will be included in the John F. Kensett Catalogue Raisonné, begun by John Driscoll Companion piece is at RISD.

Old hand-written label on reverse with Peterson's address of 1007 Fifth Avenue, N.Y.C. A painting with the same title of "Bridge of Sighs" and Peterson's Fifth Avenue address was exhibited at the National Academy of Design in 1929. Most likely, this is the painting exhibited that year.

Illustrated: Henry Richards, "About Dogs," The Aldine, September 1872, 174-175. Exhibited: Abbott H. Thayer, Carnegie Institute, 1919, owned by Alice L. Sand; Memorial exhibition of the work of Abbott Handerson Thayer, Metropolitan Museum of Art, 1922. A pair with "Who Said Rats."

From our archives of sold paintings.