Mark Humpal Fine Art ART FOR SALE

Great self portrait by Nelson Sandgren.

From the artist's estate.

Painted on black Weber canvas board.

Provenance direct from the artist's family.

Exceptional large Harry Cassie Best oil of Mt Hood.

Housed in its original Newcomb Macklin frame. Provenance: Gift to the artist's niece. Probably painted near Santa Fe.

Created during Voisin's decade in Portland for The Pacific Logging Congress 25th anniversary. Voisin also made and signed the wooden plinth.

Housed in a contemporary gold leaf frame.

Unusually bright pastel palette on this freely brushed, prime period Keller.

Housed in original frame with Kharouba Gallery label verso. From the collection of an Oregon WPA artist.

Title and date written verso.

This creek may very well be Patton Creek, one of the artist's favorite haunts.

Prime period oil by Heaney retaining its original Image Gallery label

Earlier work by Stephens from her estate.

This is a major painting by Espey that has been tucked away here in Portland,descending in the same family since the mid-1880s. Signed "E Espey Paris 1884." Original E. H. Moorehouse frame.

Direct provenance from the artist's wife, Ann Kutka McCosh. Painted in Paris during a year's study in Europe after winning the John Quincy Adams traveling scholarship.

Strickland painted and exhibited with the Palette Club alongside C C McKim, Bruce Horsfall, Clyde Leon Keller and others.

Exhibited in the artist's one man retrospective at the Portland Art Museum in 1963.

Exhibited: "American Masters" held at the John Pence Gallery in San Francisco in early 1987, and retains that label.

Prime subject by Gilpin: his cat Holden.

Written on the stretcher: "Straight Lines for the Insecure, Rulers are for Kingdoms, Tapes are for Administrators."

Titled and signed verso. Housed in its original frame.

Rare view of Latourell Falls in the Columbia River Gorge, just off the Historic Columbia River Highway. Full inscription seen verso.

Early and impressive acrylic by Morris.

Housed in original artist-made frame. Exhibited: Oregon Society of Artists 1930, 1st prize, Springville Utah 1932, and Seattle Fine Arts Society. Retains labels from latter two.

Large and important example of Robinson's mature period, the few years preceding her death. Executed in a highly abstracted and broken impressionism.

Large india ink and gouache on illustration board by Hall. Gallery framed behind glass.

Modernist portrait by Heaney, excellent condition.

A circa 1960 - 1965 pure abstract teak wall sculpture by Setziol.

This verdigris patinated bronze is a one of a kind sand casting by Littman.

Prime period Keller with heavy impasto seen in the sky.

A highly abstract cityscape of downtown Portland. Illustrated in the recently published and definitive monograph on the artist, "C. S. Price: A Portrait" on page 195.

Colorful and large portrait by Heaney, excellent condition.

From the estate of Oregon WPA and commercial artist Douglas Lynch. Original Heaney frame.

Painted during the artist's 12 year residence in Portland. An image of this painting is included in the new Oregon Painters book by Allen and Klevit. Rix exhibited this painting and two other moonlight compositions at the Palette Club in 1917.

Major work by Okada painted a year after he embarked on a nearly three decade career teaching art at the University of Oregon. Fountain Gallery label verso.

The original owner of this painting was Price's homesteading neighbor in Alberta. Illustrated in recently published "C. S. Price: A Portrait," page 63.

Large early landscape by Givler, dean of the Portland Art Museum's art school. Housed in its original frame.

Very abstract early work by McCosh.

Nastasia exhibited often at the Portland Art Museum during the 1950s and was considered one of the top modernist painters working in Portland at that time.

Retains a label from the Portland Art Museum Artists of Oregon 1965 exhibition.

Exhibited: Coast to Cascades: C.C. McKim's Impressionist Vision held at the Tacoma Art Museum 2016-17. Color plate in catalog on page 68.

Rare WPA era painting by Sewall from the artist's estate.

Exhibited: Reed College "16 by Price." A full page color front piece in the CS Price Memorial catalog.

Superb, large example of Wire's mastery of the impressionist genre. Housed in a period 1920s frame. Framed pic taken in indoor light, unframed in natural outdoor light.

Large and impressive midcentury oil from the artist's estate. Original thin wood frame.