Mark Humpal Fine Art ART FOR SALE

Created during Voisin's decade in Portland for The Pacific Logging Congress 25th anniversary. Voisin also made and signed the wooden plinth.

Rare WPA era painting by Sewall from the artist's estate.

Prime subject by Gilpin: his cat Holden.

Painted during the artist's 12 year residence in Portland. An image of this painting is included in the new Oregon Painters book by Allen and Klevit. Rix exhibited this painting and two other moonlight compositions at the Palette Club in 1917.

This creek may very well be Patton Creek, one of the artist's favorite haunts.

Provenance direct from the artist's family.

Rare oil. Exhibited at the 18th Annual Exhibition at the Los Angeles County Museum of Art in 1937.

From the estate of Oregon WPA and commercial artist Douglas Lynch. Original Heaney frame.

Perhaps one of the most important 19th Century Oregon paintings to have surfaced. Pickett painted this work just over a month before his death, assisted by fellow artist and friend Arthur James Emory Powell. Signed "Pickett and Powell."

Strickland painted and exhibited with the Palette Club alongside C C McKim, Bruce Horsfall, Clyde Leon Keller and others.

Housed in original artist-made frame. Exhibited: Oregon Society of Artists 1930, 1st prize, Springville Utah 1932, and Seattle Fine Arts Society. Retains labels from latter two.

Unusually bright pastel palette on this freely brushed, prime period Keller.

Rare and great quality oil by Kee.

Superb, large example of Wire's mastery of the impressionist genre. Housed in a period 1920s frame. Framed pic taken in indoor light, unframed in natural outdoor light.

Titled and signed verso. Housed in its original frame.

Title and date written verso.

Written on the stretcher: "Straight Lines for the Insecure, Rulers are for Kingdoms, Tapes are for Administrators."

Prime period Keller with heavy impasto seen in the sky.

Exhibited: Coast to Cascades: C.C. McKim's Impressionist Vision held at the Tacoma Art Museum 2016-17. Color plate in catalog on page 68.

Painted on black Weber canvas board.

Housed in a contemporary gold leaf frame.

Prime period oil by Heaney retaining its original Image Gallery label

Large and important example of Robinson's mature period, the few years preceding her death. Executed in a highly abstracted and broken impressionism.

Dramatic composition by Manser. Period frame.

Provenance: First National Bank of Oregon. Exhibited: Portland Art Museum, Littman retrospective in 1978 and pictured in the catalog.

A circa 1960 - 1965 pure abstract teak wall sculpture by Setziol.

Partial label verso. Large, colorful example of Pedersen's work.

Large and impressive midcentury oil from the artist's estate. Original thin wood frame.

Exceptional early oil by Norrbo. From the collection of a prominent Oregon WPA artist. The two artists worked together for a time in a commercial art and design firm.

This verdigris patinated bronze is a one of a kind sand casting by Littman.

Large india ink and gouache on illustration board by Hall. Gallery framed behind glass.

The original owner of this painting was Price's homesteading neighbor in Alberta. Illustrated in recently published "C. S. Price: A Portrait," page 63.

Retains a label from the Portland Art Museum Artists of Oregon 1965 exhibition.

Modernist portrait by Heaney, excellent condition.

Housed in original frame with Kharouba Gallery label verso. From the collection of an Oregon WPA artist.

Early and impressive acrylic by Morris.

This is a major painting by Espey that has been tucked away here in Portland,descending in the same family since the mid-1880s. Signed "E Espey Paris 1884." Original E. H. Moorehouse frame.

Major work by Okada painted a year after he embarked on a nearly three decade career teaching art at the University of Oregon. Fountain Gallery label verso.

Exhibited: Reed College "16 by Price." A full page color front piece in the CS Price Memorial catalog.

Nastasia exhibited often at the Portland Art Museum during the 1950s and was considered one of the top modernist painters working in Portland at that time.

Exhibited: "American Masters" held at the John Pence Gallery in San Francisco in early 1987, and retains that label.

From the artist's estate.

Exceptional large Harry Cassie Best oil of Mt Hood.

Great prime period Kowert.

Very abstract early work by McCosh.

Earlier work by Stephens from her estate.

Great self portrait by Nelson Sandgren.