D. Wigmore Fine Art, Inc. ART FOR SALE

Artist indicated "Polo Tournament at Fort Bliss/ San Patricio vs Juarez."

The dimensions listed are the overall height and width from upper left to lower right.

A nocturne celebrating New York's vibrant lights.

In its frame this work measures 35 x 27 inches.

Recently included in "Lee Krasner: Geometries of Expression" at the Ogunquit Museum of American Art, 2024. In its frame measures 23 1/4 x 19 1/4 inches.

"Blue Circle Moire" is a Plexiglass and lithograph construction. It is signed and titled verso. Reginald Neal was included in MoMA's 1965 exhibition "The Responsive Eye."

Exhibited: "Eleventh Annual Exhibition of Paintings and Sculptures," Whitney Studio Club, 1926; "Cutting Edge: Precisionism in Connecticut Art," Mattatuck Museum, Waterbury, CT, March 5- April 30, 2023 Note: Fiene produced a print after this painting in 1927

This plastic construction comes from the estate of the artist.

The work is signed and dated lower left. In its frame it measures 23 5/8 x 27 3/4 inches. The painting was originally owned by Daniel Burne Jones, the notes scholar on Rockwell Kent.

Kanegis Gallery, Boston label verso

This work is signed, titled and dated verso. In its frame measures 10 1/8 x 12 3/4 inches.

Exhibited: "Songs Without Words: The Art of Music," Nassau County Museum of Art, November 20, -2021 through March 6, 2022.

Exhibited: The Arts Club of Chicago, "3 Contemporary Americans" (Karl Zerve, Stuart Davis, and Ralston Crawford), 1945, no. 5 (lent by Downtown Gallery) Note: The Norton Museum of Art in West Palm Beach has a related gouache.

Exhibited: Selective Visions: The Art of Ralston Crawford, The Trout Gallery, Dickinson College, Carlisle, PA, 2001. Reproduced in exhibition catalog on p 22-23, no. 9

In its frame measures 34 1/2 x 34 1/2 inches. Painting is signed titled and dated verso.

Signed, dated, and titled verso In its frame, measures 61 x 64 1/2 inches.

Signed, titled, and dated on the verso.

Schreiber exhibited Louisiana Cotton Pickers in the Whitney's 1939 Annual Exhibition of Contemporary American Watercolors Feb 22–Mar 15, 1939, #117

This shaped canvas is titled, signed, and dated verso.

Exhibited: Realism in 20th Century American Painting, The Ogunquit Museum of Art, Ogunquit, ME, August 18- September 30, 1997. In its frame measures 19 x 23 inches.

The work is signed, titled, and dated verso. In its frame it measures 10 1/2 x 15 5/8 inches. The work includes sequins, beading and fabric collaged onto paper.

Exhibited: "Dynamic Structures: American Abstract Artists," Krannert Art Museum, Champaign, IL, March 2- May 4, 2017.

"Little Flags" is a Plexiglass and lithograph construction. It is signed, titled, and dated verso. Reginald Neal was included in MoMA's 1965 exhibition "The Responsive Eye."

Stamped with Mangravite's dealer Dudensing Galleries on verso.

From the Milton and Sally Avery Arts Foundation. In its frame, measures 40 3/4 x 46 3/4 inches.

Titled, signed and dated verso. Used as cover for Peace Corp's partnership booklet in 1964. Reed was the art director for Peace Corp from 1962-1970.

From the estate of the artist. In its frame measures 42 3/8 x 34 7/8 inches.

Inscribed "to a very promising pupil Anthony Ciampa"

Present owner acquired from the artist's estate.

William Schumacher settled in the art colony Byrdcliffe in 1913.

REPRODUCED: "Eyes on America, the United States as Seen by her Artists," by W.S. Hall, 1939 (p.50)

Related poster maquettes are in the New Jersey State Museum, Trenton. There is no record of these posters being made. There are steel worker posters in the 1940s when Shahn was chief artist for the newly created Political Action Committee (PAC) of CIO, a federation of labor unions.

Exhibited: "Paul Jenkins: Peintures Recentes," Galerie Karl Flinker, Paris, France, Oct- Nov 1963, no. 25 (gallery label verso)

This classic example of Richard Anuszkiewicz's Op art includes its original welded aluminum frame.

This painting is titled, signed, and dated verso.

Shaw combined oil and sand to give extra texture to his biomorphic construction. With its backboard the piece measures 16 1/4 x 19 1/4 inches.

This work is from the artist's estate. It is numbered, located, and dated on the verso. The full-size construction is in "American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection," p33, #4. It measures 35 x 31 inches.

This piece includes collaged birch bark pieces. It is signed, titled, and dated verso.

In its frame measures 38 x 46 inches. Exhibited in solo exhibition, Sam Kootz Gallery, New York, 1946 (label verso)

Peppino Mangravite first studied at the Broadmoor Art Academy in Colorado Springs with John Carlson. He returned as a teacher and interim director in the 1930s and 1940s. In its frame measures 35 1/2 x 37 1/2 inches.

Exhibited: Solo exhibition, Montross Gallery, 1923; Group exhibition, Brooklyn Museum, 1926 (label verso)

Titled verso.

Exhibited in "Artists for Victory, Inc" exhibition at the Metropolitan Museum of Art in 1942-43 Illustrated: "Arnold Blanch", American Artist Group, monograph 18, published 1946

This collage is in excellent condition with strong bright colors.