D. Wigmore Fine Art, Inc. ART FOR SALE

Titled, signed and dated verso. Used as cover for Peace Corp's partnership booklet in 1964. Reed was the art director for Peace Corp from 1962-1970.

Artist indicated "Polo Tournament at Fort Bliss/ San Patricio vs Juarez."

In 1946, on commission from Life Magazine, Doris Lee traveled around the Gulf of Mexico from Cuba, through the US into Mexico. The article "Doris Lee's Tropic Tour," included 15 paintings from trip, was featured in the May 12, 1947 issue.

This work was exhibited in the artist's solo exhibition at Agra Gallery (#9) in Washington, DC in 1965.

This collage is in excellent condition with strong bright colors.

The work is signed, numbered, and dated verso. In its frame, it measures 58 x 58 inches. Exhibited: "Fool the Eye," Nassau County Museum of Art, Roslyn Harbor, NY, November 18, 2017- March 4, 2018

Signed and titled verso. According to the artist's son, the location is Corn Hill, Truro and the fish were caught by the artist on Ballston Beach.

Celentano was included in the Museum of Modern Art's groundbreaking exhibition "The Responsive Eye" in 1965.

A nocturne celebrating New York's vibrant lights.

Exhibited in "Artists for Victory, Inc" exhibition at the Metropolitan Museum of Art in 1942-43 Illustrated: "Arnold Blanch", American Artist Group, monograph 18, published 1946

Schreiber exhibited Louisiana Cotton Pickers in the Whitney's 1939 Annual Exhibition of Contemporary American Watercolors Feb 22–Mar 15, 1939, #117

Appeared in “Water in the Southwest,” Life Magazine, August 18, 1947, p 77

Present owner acquired from the artist's estate.

This painting is titled, signed, and dated verso.

"Blue Circle Moire" is a Plexiglass and lithograph construction. It is signed and titled verso. Reginald Neal was included in MoMA's 1965 exhibition "The Responsive Eye."

This work is from the artist's estate. It is numbered, located, and dated on the verso. The full-size construction is in "American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection," p33, #4. It measures 35 x 31 inches.

The work is signed, titled, and dated verso. In its frame it measures 10 1/2 x 15 5/8 inches. The work includes sequins, beading and fabric collaged onto paper.

In its frame measures 38 x 46 inches. Exhibited in solo exhibition, Sam Kootz Gallery, New York, 1946 (label verso)

Signed, titled, and dated on the verso.

Gould received two mural commissions from the Treasury Department: "Gathering Tobacco" for the Roxboro, NC Post Office (1938) and "Source of Power" for the Greenville, KY Post Office (1940). Life Magazine (Jan 27 1941) included "Source of Power" as a rare example of a Precisionist mural.

Stamped with Mangravite's dealer Dudensing Galleries on verso.

In its frame measures 34 1/2 x 34 1/2 inches. Painting is signed titled and dated verso.

Recently included in "Lee Krasner: Geometries of Expression" at the Ogunquit Museum of American Art, 2024. In its frame measures 23 1/4 x 19 1/4 inches.

Inscribed "to a very promising pupil Anthony Ciampa"

The work is signed and dated lower left. In its frame it measures 23 5/8 x 27 3/4 inches. The painting was originally owned by Daniel Burne Jones, the notes scholar on Rockwell Kent.

Exhibited: "Dynamic Structures: American Abstract Artists," Krannert Art Museum, Champaign, IL, March 2- May 4, 2017.

Illustrated: "Oklahoma!: Great Musical Show Sits for its Portrait on its First Birthday." Life Magazine, March 6, 1944, page 85. Exhibited: "Simple Pleasures: The Art of Doris Lee," at Dixon Gallery and Gardens, Memphis, TN, October 30, 2022 through January 15, 2023.

Kanegis Gallery, Boston label verso

Exhibited: Realism in 20th Century American Painting, The Ogunquit Museum of Art, Ogunquit, ME, August 18- September 30, 1997. In its frame measures 19 x 23 inches.

From the Milton and Sally Avery Arts Foundation. In its frame measures 47 x 57 1/2 inches.

The dimensions listed are the overall height and width from upper left to lower right.

Exhibited: "Black/White and Gray Paintings 24” Square," Anonima Gallery, New York, 1966; traveled to Institute of Contemporary Arts, London; Galeria Foksal, Warsaw; and Academy of Fine Arts, Krakow

"Little Flags" is a Plexiglass and lithograph construction. It is signed, titled, and dated verso. Reginald Neal was included in MoMA's 1965 exhibition "The Responsive Eye."

Exhibited: The Arts Club of Chicago, "3 Contemporary Americans" (Karl Zerve, Stuart Davis, and Ralston Crawford), 1945, no. 5 (lent by Downtown Gallery) Note: The Norton Museum of Art in West Palm Beach has a related gouache.

This piece includes collaged birch bark pieces. It is signed, titled, and dated verso.

In its frame measures 21 1/2 x 28 3/8 inches. Adolf Dehn taught at the Colorado Springs Fine Arts Center for 3 years in the early 1940s.

From the estate of the artist. In its frame measures 42 3/8 x 34 7/8 inches.

This work is signed, titled and dated verso. In its frame measures 10 1/8 x 12 3/4 inches.

Shaw combined oil and sand to give extra texture to his biomorphic construction. With its backboard the piece measures 16 1/4 x 19 1/4 inches.

William Schumacher settled in the art colony Byrdcliffe in 1913.

Exhibited: "Eleventh Annual Exhibition of Paintings and Sculptures," Whitney Studio Club, 1926; "Cutting Edge: Precisionism in Connecticut Art," Mattatuck Museum, Waterbury, CT, March 5- April 30, 2023 Note: Fiene produced a print after this painting in 1927

Exhibited: Solo exhibition, Montross Gallery, 1923; Group exhibition, Brooklyn Museum, 1926 (label verso)

REPRODUCED: "Eyes on America, the United States as Seen by her Artists," by W.S. Hall, 1939 (p.50)

This classic example of Richard Anuszkiewicz's Op art includes its original welded aluminum frame.

Peppino Mangravite first studied at the Broadmoor Art Academy in Colorado Springs with John Carlson. He returned as a teacher and interim director in the 1930s and 1940s. In its frame measures 35 1/2 x 37 1/2 inches.

Charles Hinman is credited as the first artist to build out the shaped canvas from the wall in the early 1960s. This piece shows the elegance of Hinman's curves as they gently project out.

"Submerged in Silver" was included in "Julian Stanczak: Drawings and Serigraphs" held at the Corcoran Gallery of Art, Sept 8- Oct 15, 1972 (exhibition label verso).