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Bronze 26/35 after Nicolai Fechin’s Taos wood carving of a bearded old man. Face and flowing beard emerge from a rough, log-like block; dark brown patina. Original wood dated to Fechin’s Taos years, c. 1927–33, sometimes described as a study of his father or of Tolstoy. Posthumous edition of 35.
Oil of a young woman in a white embroidered fiesta dress and red shawl, beads and a cross at her neck, hands on hips. Loose, painterly background. Signed lower right Ramon Kelley. Denver artist known for Southwestern figures; Fechin was a stated influence.
J. Encinias. New Mexico–born, Denver-based painter known for impressionistic Colorado and northern New Mexico landscapes; longtime Prix de West exhibitor.
Watercolor and gouache of Hallett Peak, Rocky Mountain National Park: sheer west face above a lake, spruce, and a rocky trail. Chicago landscape painter who studied with William Merritt Chase; hired by the Great Northern Railway to paint Glacier and Rocky Mountain scenery.
Small oil on board of a chestnut draft horse in shaft harness, painted in broken color. Signed lower left Leon Gaspard. Typical of his Russian village studies of working horses and carts. Gaspard, Russian-born and later of Taos, often painted such field sketches before his larger market scenes.
Watercolor of Mount Sneffels and the San Juan Range at sunrise: peaks flushed rose-gold above a dry creek and cottonwoods. Signed lower left Charles Partridge Adams. Denver’s leading early Colorado landscapist; known for Rocky Mountain and San Juan views in watercolor and oil.
One in a series of three bronzes. Others include "Son of a Gun Stew" and "Indian Trader"
Oil of Bird Woman Falls, Glacier National Park, seen from the Going-to-the-Sun Road. Snow-streaked cliffs and hanging valley above a forested U-shaped canyon; the falls appear as a thin white drop on the mountain face. Signed lower right Linda Tippetts. Montana plein-air painter known for Glacier.
Oil of a palomino saddle horse by a shallow pool on the Montana plains, Western saddle in place. Signed Chas. Schreyvogel. Plaque: My Saddle Horse, MT, 1904. Small study from his Western trips, when he sketched horses and troopers in Montana and the Dakotas.
Watercolor dated Jan. 28, 1927, Kenya. Leigh was field artist on the Akeley–Eastman–Pomeroy AMNH expedition to record African life for museum dioramas when color photography could not yet serve that purpose. Family tradition holds he painted this Kikuyu figure as a gift for his wife, Ethel.