Adobe Gallery ART FOR SALE

Item # C4977.22. Talaswaima was a founding member of Artist Hopid, an influential collective established on May 18, 1973, alongside Michael Kabotie, Milland Lomakema, Delbridge Honanie, and Neil David Sr. Beyond being an accomplished painter, Talaswaima served as a museum director, composer, lecturer, storyteller, Katsina doll carver, and a painter.

Item # C4964H. There are eight Corn People and what may be a Mudhead carrying a watermelon. In the lower left is a group of fish. True to form for the members of Artist Hopid, the painting was executed in bright colors.

Item # C4670L. This untitled watercolor painting by renowned Diné artist Harrison Begay (1917-2012) is a dynamic homage to the horse, an animal of profound significance and utility to the Diné people.

Item # C4942K. This jar displays the most beautiful and graceful shape of any Tewa wares. It is unquestionably a Sara Fina Tafoya creation. It exhibits her hand in every respect — shape, quality, and fluted rim. It was constructed of native Tewa clay and coil-formed in the traditional pueblo manner.

Item # C4946.4. Made late in Maria's long career, this vase showcases the height of perfection achieved. This vase is not just an object; it is a historical work of art that captures the legacy of the Martinez family, showcasing the moment a celebrated artist finally embraced her true name.

Item # C4977.24. In the Hopi world, all of life is interrelated. Art can never be isolated from daily work or religious celebration and the past can never be isolated from the present or the future. On every level, psychological, historical and aesthetic, the concept of Migration is a fundamental part of Hopi life and art.

Item # C4977.08. True to the Artist Hopid philosophy, Coming of Sun departs from standard two-dimensional, flat-style Native American painting, opting instead for a dynamic, stylized, and geometric composition that mimics the circular nature of the cosmos and Hopi cosmology.

Item # C4819K. Tafoya's hallmark precision is evident throughout — from the vessel's construction and polished finish to the crisp, confident carving. The stone-polished surface radiates a deep, lustrous sheen, drawing the eye to the carved Avanyu and enhancing the vessel's sculptural quality.

Item # C4964P. Lomakema used a specific palette of "earth tones" (terracotta, ochre, and sage) contrasted with bold blacks and whites to create a flat, modernist aesthetic that feels both ancient and contemporary.

Item # C4819V. The resulting color is rich, saturated, and pulses with a depth rarely seen in contemporary clay. Produced on a larger scale than her previous experiments, this jar stands as a definitive "document" of her success in refining these complex firing schedules.