Del Amo Art Gallery ART FOR SALE

Grabado de 1966–1967 donde Picasso muestra a dos figuras abrazadas. Destaca por trazos fluidos a punta seca y efectos de sombra con aguatinta, reflejando gran libertad expresiva e intensidad emocional. Impreso por el Atelier Crommelynck en París, es una pieza clave de su etapa tardía. Grabado de 1966–1967 engraving where Picasso shows two figures embracing. It stands out for its fluid drypoint lines and shading effects with aquatint, reflecting great expressive freedom and emotional intensity. Printed by the Atelier Crommelynck in Paris, it is a key piece of his late period.

Exemplifies his mastery of abstract expression with poetic symbolism. The composition features a monumental vertical biomorphic figure crafted from interlocking organic and geometric forms, set against a restrained palette of warm earth tones, muted blues, and subtle accents of crimson.

Rich in symbolism and visual harmony, the painting reflects Mijares’ unique capacity to elevate ordinary subjects into poetic and timeless works of art. Executed with remarkable technical refinement, the composition balances expressive realism with geometric organization.

This composition is an exceptional museum-quality example of Mijares’ figurative production and represents an important contribution to twentieth-century Latin American art.This richly structured background recalls the visual rhythm of stained glass, one of the defining characteristics of Mijares’

Amelia Peláez's 1962 gouache on paper, Naturaleza Muerta con Peces, exemplifies her mature Cuban modernist style: a stylized ceramic vessel with two fish rendered in bold black contours and luminous bands of rose, golden yellow and soft blue, echoing Cuba's colonial decorative heritage.

Painted in 2015, this exceptional landscape by Quisbel Lezcano Blanco captures the majestic beauty of the Cuban countryside through the artist’s extraordinary command of realism and atmosphere.

Jose Bedia's 'Letra Mala en la Consulta' captures a striking visual narrative that reflects the artist's engagement with themes of identity and culture. The work embodies elements of Cuban modernism, showcasing Bedia's distinct style that merges personal and collective histories.

Music has long served as a recurring theme in Bermúdez’s work, representing communication, harmony, and the refinement of civilization. Here, the presence of string and wind instruments, together with the central percussion element, transforms the scene into a poetic allegory where architecture.

The composition presents the serene image of a young woman rendered with remarkable delicacy. Soft charcoal contours establish the structure of the face, while subtle applications of sanguine enrich the complexion with warmth and luminosity. The harmonious interplay between drawing and tonal modelin

The composition reflects his unmistakable visual language, combining bold black contours, luminous color harmonies, and expressive geometric forms. Inspired by the magnificent colonial architecture of Old Havana, the composition centers on the monumental façade and dome of a cathedral,