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David Young Cameron SIGNATURES
1865 Glascow, Scotland - 1945 Perth, Scotland. Known for: Landscape paintings, etching.
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching revival, having been... Read full biography
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching revival, having been encouraged to take up the medium by George Stevenson in 1887. From 1887 to 1892 he was a member of the... Read full biography
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching revival, having been encouraged to take up the medium by George Stevenson in 1887. From 1887 to 1892 he was a member of the Royal Society of Painter-Etchers. His first published prints were the Clyde Set (1889; Rinder, 1912, nos 30-49), followed by his London Set (1899; Rinder, 1912, nos 289-301) and a number of continental... Read full biography
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching revival, having been encouraged to take up the medium by George Stevenson in 1887. From 1887 to 1892 he was a member of the Royal Society of Painter-Etchers. His first published prints were the Clyde Set (1889; Rinder, 1912, nos 30-49), followed by his London Set (1899; Rinder, 1912, nos 289-301) and a number of continental sets: North Holland, 1892; North Italian, 1894-6; Paris, 1904; Belgian, 1907 (Rinder, 1912, nos 115-36, 202-29, 361-6, 387-96). These show the influence of Seymour Haden, Whistler and Charles Meryon. Cameron's prints include many architectural... Read full biography
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching revival, having been encouraged to take up the medium by George Stevenson in 1887. From 1887 to 1892 he was a member of the Royal Society of Painter-Etchers. His first published prints were the Clyde Set (1889; Rinder, 1912, nos 30-49), followed by his London Set (1899; Rinder, 1912, nos 289-301) and a number of continental sets: North Holland, 1892; North Italian, 1894-6; Paris, 1904; Belgian, 1907 (Rinder, 1912, nos 115-36, 202-29, 361-6, 387-96). These show the influence of Seymour Haden, Whistler and Charles Meryon. Cameron's prints include many architectural subjects such as old city streets, and workshop and church interior views such as the Five S... Read full biography
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David Young Cameron - Artist Signatures
David Young Cameron Artist Signatures
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