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Isca Greenfield-Sanders SIGNATURES
Born 1978 New York City. Known for: Collage from digital phography prints, breaks down photograpy image.
Beginning with vintage slides, Isca Greemfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints small... Read full biography
Beginning with vintage slides, Isca Greemfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints small fragments, reconstituting the “details” to a whole in a manner similar to memory’s construction. The vague... Read full biography
Beginning with vintage slides, Isca Greemfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints small fragments, reconstituting the “details” to a whole in a manner similar to memory’s construction. The vague familiarity of her anonymous landscapes re-enforces her exploration of remembrance as manifested through a complex working method. The original photographs, by definition, are someone else’s... Read full biography
Beginning with vintage slides, Isca Greemfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints small fragments, reconstituting the “details” to a whole in a manner similar to memory’s construction. The vague familiarity of her anonymous landscapes re-enforces her exploration of remembrance as manifested through a complex working method. The original photographs, by definition, are someone else’s memories, leading the artist to question the nature of recollection and the truthfulness of photography. The medium’s relationship to reality and the role it plays in our own memories become integral to her multiple studies, watercolors and paintings of a... Read full biography
Beginning with vintage slides, Isca Greemfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints small fragments, reconstituting the “details” to a whole in a manner similar to memory’s construction. The vague familiarity of her anonymous landscapes re-enforces her exploration of remembrance as manifested through a complex working method. The original photographs, by definition, are someone else’s memories, leading the artist to question the nature of recollection and the truthfulness of photography. The medium’s relationship to reality and the role it plays in our own memories become integral to her multiple studies, watercolors and paintings of a single image. The multiple outputs become about repeatedly working with form itself. As the artist stresses:... Read full biography
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Isca Greenfield-Sanders - Artist Signatures
Isca Greenfield-Sanders Artist Signatures
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