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Jean Charles Blais SIGNATURES
Born 1956. Known for: Painting.
Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of... Read full biography
Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of ‘Affiches arrachées’- demolished and multiply superimposed billboards – Blais developed a sculptural... Read full biography
Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of ‘Affiches arrachées’- demolished and multiply superimposed billboards – Blais developed a sculptural imagery, which dealt with issues of spatiality. In 1990 Blais created his first work in public spaces and decorated the Paris metro station Assemblé Nationale. In 1996, he realized the project ‘Telephone... Read full biography
Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of ‘Affiches arrachées’- demolished and multiply superimposed billboards – Blais developed a sculptural imagery, which dealt with issues of spatiality. In 1990 Blais created his first work in public spaces and decorated the Paris metro station Assemblé Nationale. In 1996, he realized the project ‘Telephone Booths’ for the Museum of Modern Art in New York. Since the turn of the millennium, digital technologies and new materials have been in the center of his work.
Jean-Charles Blais, born in Nantes, studied at the École des Beaux-Arts in Rennes. From the early 1980s he dealt with the Nouveaux Réalistes, Pop Art and Arte Povera. Based on the technique of ‘Affiches arrachées’- demolished and multiply superimposed billboards – Blais developed a sculptural imagery, which dealt with issues of spatiality. In 1990 Blais created his first work in public spaces and decorated the Paris metro station Assemblé Nationale. In 1996, he realized the project ‘Telephone Booths’ for the Museum of Modern Art in New York. Since the turn of the millennium, digital technologies and new materials have been in the center of his work.
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Jean Charles Blais - Artist Signatures
Jean Charles Blais Artist Signatures
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