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Jean Pierre Raynaud SIGNATURES
Born 1939 Courbevoie, France. Known for: Commemorative artwork from earthenware tiles, conceptual, installation art.
Jean-Pierre Raynaud: Exhibition Review, Museum at Bordeaud by Mark Pimlott, November 5, 1993. Entering the huge ground floor space of the museum at Bordeaux, the visitor sees and extensive and... Read full biography
Jean-Pierre Raynaud: Exhibition Review, Museum at Bordeaud by Mark Pimlott, November 5, 1993. Entering the huge ground floor space of the museum at Bordeaux, the visitor sees and extensive and meticulous array of identical objects. Arranged in a grid, one metre apart, are 1000 stainless steel... Read full biography
Jean-Pierre Raynaud: Exhibition Review, Museum at Bordeaud by Mark Pimlott, November 5, 1993. Entering the huge ground floor space of the museum at Bordeaux, the visitor sees and extensive and meticulous array of identical objects. Arranged in a grid, one metre apart, are 1000 stainless steel buckets on wheels. They are like those that may be found in hospitals or prisons. Each contains an assortment of sanitised building-site debris: block mortar, concrete, and square white ceramic tile. The... Read full biography
Jean-Pierre Raynaud: Exhibition Review, Museum at Bordeaud by Mark Pimlott, November 5, 1993. Entering the huge ground floor space of the museum at Bordeaux, the visitor sees and extensive and meticulous array of identical objects. Arranged in a grid, one metre apart, are 1000 stainless steel buckets on wheels. They are like those that may be found in hospitals or prisons. Each contains an assortment of sanitised building-site debris: block mortar, concrete, and square white ceramic tile. The contents of each bucket, initially thought to be randomly chosen, seems to be precisely the same. Looking beyond those that are close by, the grid of buckets extends far into the distance, forming a rectangular field that nearly fills the whole space.... Read full biography
Jean-Pierre Raynaud: Exhibition Review, Museum at Bordeaud by Mark Pimlott, November 5, 1993. Entering the huge ground floor space of the museum at Bordeaux, the visitor sees and extensive and meticulous array of identical objects. Arranged in a grid, one metre apart, are 1000 stainless steel buckets on wheels. They are like those that may be found in hospitals or prisons. Each contains an assortment of sanitised building-site debris: block mortar, concrete, and square white ceramic tile. The contents of each bucket, initially thought to be randomly chosen, seems to be precisely the same. Looking beyond those that are close by, the grid of buckets extends far into the distance, forming a rectangular field that nearly fills the whole space. The act of seeing the field becomes subject to the regime of perspective. The objects collapse into lines and patterns that make it dif... Read full biography
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Jean Pierre Raynaud - Artist Signatures
Jean Pierre Raynaud Artist Signatures
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