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Jules Olitski SIGNATURES
1922 Shchors, Ukraine - 2007 New York City. Known for: Color-field abstraction, sculptor, graphics.
Color Field painter, Jules Olitski was a GI Bill student in Paris, where he had his first solo exhibition in 1951. Later in New York, with his GI compatriot Ellsworth Kelly, "he explored the autonomy... Read full biography
Color Field painter, Jules Olitski was a GI Bill student in Paris, where he had his first solo exhibition in 1951. Later in New York, with his GI compatriot Ellsworth Kelly, "he explored the autonomy of materials in terms of a completely flat definition of shape and color." He then investigated the... Read full biography
Color Field painter, Jules Olitski was a GI Bill student in Paris, where he had his first solo exhibition in 1951. Later in New York, with his GI compatriot Ellsworth Kelly, "he explored the autonomy of materials in terms of a completely flat definition of shape and color." He then investigated the staining techniques established by Helen Frankenthaler, Kenneth Noland, and Morris Louis, and finally in the 1960s arrived at the method of spray painting which has become his domain by right of... Read full biography
Color Field painter, Jules Olitski was a GI Bill student in Paris, where he had his first solo exhibition in 1951. Later in New York, with his GI compatriot Ellsworth Kelly, "he explored the autonomy of materials in terms of a completely flat definition of shape and color." He then investigated the staining techniques established by Helen Frankenthaler, Kenneth Noland, and Morris Louis, and finally in the 1960s arrived at the method of spray painting which has become his domain by right of accomplishment. Olitski adopted a technique in which he employed airbrushes or squeegees, applying paint in a multilayered film. Olitski, together with Larry Poons, Noland, Frankenthaler and Louis, was at the center of an absorbed interest in color which... Read full biography
Color Field painter, Jules Olitski was a GI Bill student in Paris, where he had his first solo exhibition in 1951. Later in New York, with his GI compatriot Ellsworth Kelly, "he explored the autonomy of materials in terms of a completely flat definition of shape and color." He then investigated the staining techniques established by Helen Frankenthaler, Kenneth Noland, and Morris Louis, and finally in the 1960s arrived at the method of spray painting which has become his domain by right of accomplishment. Olitski adopted a technique in which he employed airbrushes or squeegees, applying paint in a multilayered film. Olitski, together with Larry Poons, Noland, Frankenthaler and Louis, was at the center of an absorbed interest in color which became especially prominent by the end of the 1950s--an interest given focus by a series of exhibitions orga... Read full biography
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Jules Olitski - Artist Signatures
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