Artist signatures page loaded. Found 9 signature examples for Pascal Adolphe Jean Dagnan-Bouveret. Sign in or subscribe to view signatures.
Pascal Adolphe Jean Dagnan-Bouveret SIGNATURES
1852 Paris, France - 1929 Quincey, France. Known for: Figure, genre and portrait painting, symbolism, allegory.
By 1900, Dagnan-Bouveret had shifted from his naturalist subjects of the late nineteenth century to religious scenes inspired by Renaissance and Pre-Raphaelite artists, commissioned portraits, and... Read full biography
By 1900, Dagnan-Bouveret had shifted from his naturalist subjects of the late nineteenth century to religious scenes inspired by Renaissance and Pre-Raphaelite artists, commissioned portraits, and works revealing a symbolist influence, such as Sur les cimes (On the Summit). In this painting, a... Read full biography
By 1900, Dagnan-Bouveret had shifted from his naturalist subjects of the late nineteenth century to religious scenes inspired by Renaissance and Pre-Raphaelite artists, commissioned portraits, and works revealing a symbolist influence, such as Sur les cimes (On the Summit). In this painting, a mysterious maiden sits atop a mountain, dressed in a white robe and veil which swirl around her body like snow, her hair tinged with white frost, and her skin nearly as pale as the ice crystals set in a... Read full biography
By 1900, Dagnan-Bouveret had shifted from his naturalist subjects of the late nineteenth century to religious scenes inspired by Renaissance and Pre-Raphaelite artists, commissioned portraits, and works revealing a symbolist influence, such as Sur les cimes (On the Summit). In this painting, a mysterious maiden sits atop a mountain, dressed in a white robe and veil which swirl around her body like snow, her hair tinged with white frost, and her skin nearly as pale as the ice crystals set in a stone cistern beside her; behind her, a far-distant valley bordered by cold blue mountains and a glacial lake suggest a remote, frozen locale. Without identifiable allegorical or mythological sources, the viewer is left to ponder the mystical origins... Read full biography
By 1900, Dagnan-Bouveret had shifted from his naturalist subjects of the late nineteenth century to religious scenes inspired by Renaissance and Pre-Raphaelite artists, commissioned portraits, and works revealing a symbolist influence, such as Sur les cimes (On the Summit). In this painting, a mysterious maiden sits atop a mountain, dressed in a white robe and veil which swirl around her body like snow, her hair tinged with white frost, and her skin nearly as pale as the ice crystals set in a stone cistern beside her; behind her, a far-distant valley bordered by cold blue mountains and a glacial lake suggest a remote, frozen locale. Without identifiable allegorical or mythological sources, the viewer is left to ponder the mystical origins of this haunting woman. The allusive subject of Sur les cimes recalls Dagan-Bouveret's earlier compositions like I... Read full biography
Sign in required to view signatures
Pascal Adolphe Jean Dagnan-Bouveret - Artist Signatures
Pascal Adolphe Jean Dagnan-Bouveret Artist Signatures
Access Required
askART does not represent or warrant that the information accessible via this Site is accurate, complete or current, including, but not limited to, such information contained in artist biographies, auction records, samples of artists' signatures, artworks for sale, and information and value estimates contained in artist price valuation reports.