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Varvara Fiodorovna Stepanova SIGNATURES
1894 Russia - 1958 Russia. Known for: Painting.
STEPANOVA, Varvara Fiodorovna (1894-1958). Stepanova explored an entire mosaic of artistic trends from Symbolism to Socialist Realism, although she is now recognised above all for her interpretations... Read full biography
STEPANOVA, Varvara Fiodorovna (1894-1958). Stepanova explored an entire mosaic of artistic trends from Symbolism to Socialist Realism, although she is now recognised above all for her interpretations of the Constructivist aesthetic. Stepanova was attached to the primary centres of the avant-garde... Read full biography
STEPANOVA, Varvara Fiodorovna (1894-1958). Stepanova explored an entire mosaic of artistic trends from Symbolism to Socialist Realism, although she is now recognised above all for her interpretations of the Constructivist aesthetic. Stepanova was attached to the primary centres of the avant-garde movement after the Revolution, i.e., Inkhuk (Institute of Artistic Culture) and Svomas / Vkhutemas (Free Art Studios/State Free Art-Technical Studios) and was in touch with the leading artists, poets,... Read full biography
STEPANOVA, Varvara Fiodorovna (1894-1958). Stepanova explored an entire mosaic of artistic trends from Symbolism to Socialist Realism, although she is now recognised above all for her interpretations of the Constructivist aesthetic. Stepanova was attached to the primary centres of the avant-garde movement after the Revolution, i.e., Inkhuk (Institute of Artistic Culture) and Svomas / Vkhutemas (Free Art Studios/State Free Art-Technical Studios) and was in touch with the leading artists, poets, and filmmakers of her time such as Gan, Kandinsky, Popova, Shub and, of course, her husband Rodchenko. Still, Stepanova was not a student of Rodchenko just as he was not a student of Stepanova, and, ultimately, her artistic physiognomy was different... Read full biography
STEPANOVA, Varvara Fiodorovna (1894-1958). Stepanova explored an entire mosaic of artistic trends from Symbolism to Socialist Realism, although she is now recognised above all for her interpretations of the Constructivist aesthetic. Stepanova was attached to the primary centres of the avant-garde movement after the Revolution, i.e., Inkhuk (Institute of Artistic Culture) and Svomas / Vkhutemas (Free Art Studios/State Free Art-Technical Studios) and was in touch with the leading artists, poets, and filmmakers of her time such as Gan, Kandinsky, Popova, Shub and, of course, her husband Rodchenko. Still, Stepanova was not a student of Rodchenko just as he was not a student of Stepanova, and, ultimately, her artistic physiognomy was different from his. For example, she was not especially drawn to non-objective painting, did not regard photography as a replacement for painting,... Read full biography
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Varvara Fiodorovna Stepanova - Artist Signatures
Varvara Fiodorovna Stepanova Artist Signatures
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