United Kingdom, England. 1847/56 - 1927
Child and idyllic genre painting, portraits
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1823 Brussels, Belgium - 1906 Paris. Known for: Portrait, woman portrait, figure,and landscape painting.
Whistler's friend, the French décadent Count de Montesquiou overpraised Alfred Stevens, after his death, as equal to Vermeer. Stevens, who chronicled the fashionable elegance of women's sitting rooms... Read full biography
Whistler's friend, the French décadent Count de Montesquiou overpraised Alfred Stevens, after his death, as equal to Vermeer. Stevens, who chronicled the fashionable elegance of women's sitting rooms during the Second Empire and beyond, influenced American expatriate painters, and there are close... Read full biography
Whistler's friend, the French décadent Count de Montesquiou overpraised Alfred Stevens, after his death, as equal to Vermeer. Stevens, who chronicled the fashionable elegance of women's sitting rooms during the Second Empire and beyond, influenced American expatriate painters, and there are close affinities to the Boston School. Alfred Stevens, born in Brussels on 11 May 1823, was a student of François-Joseph Navez (1787-1869), Belgium's most important pupil of Jacques-Louis David; then in 1844... Read full biography
Whistler's friend, the French décadent Count de Montesquiou overpraised Alfred Stevens, after his death, as equal to Vermeer. Stevens, who chronicled the fashionable elegance of women's sitting rooms during the Second Empire and beyond, influenced American expatriate painters, and there are close affinities to the Boston School. Alfred Stevens, born in Brussels on 11 May 1823, was a student of François-Joseph Navez (1787-1869), Belgium's most important pupil of Jacques-Louis David; then in 1844 Stevens continued his studies under Camille Roqueplan (1803-1855) in Paris, whose looser, more casual technique pleased public taste (Harambourg, 1985, p. 304). After 1852, Stevens remained in Paris indefinitely; his earliest works show various... Read full biography
Whistler's friend, the French décadent Count de Montesquiou overpraised Alfred Stevens, after his death, as equal to Vermeer. Stevens, who chronicled the fashionable elegance of women's sitting rooms during the Second Empire and beyond, influenced American expatriate painters, and there are close affinities to the Boston School. Alfred Stevens, born in Brussels on 11 May 1823, was a student of François-Joseph Navez (1787-1869), Belgium's most important pupil of Jacques-Louis David; then in 1844 Stevens continued his studies under Camille Roqueplan (1803-1855) in Paris, whose looser, more casual technique pleased public taste (Harambourg, 1985, p. 304). After 1852, Stevens remained in Paris indefinitely; his earliest works show various influences, from Courbet, Couture, and Velázquez. His Paris debut was at the Salon of 1853 where his Ash-Wednesday... Read full biography
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Slide 1 of 3: Symphonie en vert
Symphonie en vert
Alfred Emile Leopold StevensSymphonie en vert
Alfred Emile Leopold Stevens
The Villa on the Cliffs of Sainte-Adresse
Alfred Emile Leopold Stevens
LA VILLA DES FALAISES À SAINTE-ADRESSE
Alfred Emile Leopold StevensArtists Similar to Alfred Emile Leopold Stevens (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy, France. 1842 - 1931
Portrait and figure paintings of upper class females, interiors and nudes
France. 1841 - 1901
Land-and seascape paintings, genre, interiors
Denmark, France. 1860 - 1934
Realist nude figurative, city view and landscape painting
Spain, Italy, France. 1833 - 1908
Light filled, detailed landscape and marine painting, Venice scenes
France. 1838 - 1921
Orientalist, religious and history painting
France. 1827 - 1906
Peasant genre and figure painting
Italy. 1830 - 1919
Figure paintings, peasant life
France. 1824 - 1904
Detailed historical painting, Orientalism, erotic subjects, sculpture, teaching
Spain, France. 1845 - 1928
Historical genre and naturalist painting
France, Italy. 1815 - 1891
Academic painting-aristocratic figure and war genre
France. 1837 - 1917
Portrait and genre painting, teaching
Spain, Italy. 1838 - 1874
Portrait, figure, genre, history and religious painting and drawing
Italy. 1857 - 1932
Painting
France. 1835 - 1902
Orientalist theme painting
France, England. 1836 - 1902
Urban female figure, genre and portrait post impressionist painting, illustration
France. 1810 - 1865
Barbizon School painting-landscapes
United Kingdom, England. 1825 - 1895
Landscape, coastal scene and marine painting
France, Italy. 1840 - 1916
Bucolic scene and landscape/waterscape painting
France. 1844 - 1925
Pastel and charcoal drawing, rural landscape and genre painting
France, Italy. 1825 - 1905
Figural, realist style genre and mythology painting, teaching
France. 1840 - 1926
Impressionist still-life and portrait painting
France, Africa. 1820 - 1876
North African figure and landscape painting, exotic scenes,writing
France, Russian Federation. 1849 - 1935
Aristocratic figure, portrait and street scene painting, commercial art
France. 1840 - 1902
Portrait, figure, and genre painting
United Kingdom, England, Italy. 1861 - 1922
Female figure in landscape painting
United States, France. 1817 - 1878
Bucolic landscape, marine and nocturne painting-luminous
France, Austria, Italy. 1845 - 1916
Parisien street scene painting, decoration, gdraphics, illustration, posters
France. 1842 - 1910
Rural landscape and water scene painting
France. 1807 - 1876
Exotic female figure and forest landscape painting
France. 1829 - 1890
Female figure and genre painting
France. 1825 - 1891
Portrait, landscapes, genre, floral still life and female figure paintings, prints, teaching