Italy. 1511-1551
Paintings
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Antonio Campi SIMILAR ARTISTS
1523 Cremona - 1587. Known for: Black chalk heightened with white on blue paper.
The artist mentioned in the text is Antonio Campi, known for skillfully copying Parmigianino's inventions. The Lombard artist Antonio Campi is identified as the creator of the studies of heads in the... Read full biography
The artist mentioned in the text is Antonio Campi, known for skillfully copying Parmigianino's inventions. The Lombard artist Antonio Campi is identified as the creator of the studies of heads in the text. The attribution to Campi was confirmed by Marco Tanzi and David Ekserdjian. The text also... Read full biography
The artist mentioned in the text is Antonio Campi, known for skillfully copying Parmigianino's inventions. The Lombard artist Antonio Campi is identified as the creator of the studies of heads in the text. The attribution to Campi was confirmed by Marco Tanzi and David Ekserdjian. The text also mentions a comparable drawing by Campi in the Louvre and an engraving in the British Museum that reproduces the present sheet. The original drawing supposedly by Parmigianino, which is identified with... Read full biography
The artist mentioned in the text is Antonio Campi, known for skillfully copying Parmigianino's inventions. The Lombard artist Antonio Campi is identified as the creator of the studies of heads in the text. The attribution to Campi was confirmed by Marco Tanzi and David Ekserdjian. The text also mentions a comparable drawing by Campi in the Louvre and an engraving in the British Museum that reproduces the present sheet. The original drawing supposedly by Parmigianino, which is identified with the present sheet, was in the collection of Benjamin West.A.E. Popham, Catalogue of the Drawings of Parmigianino, New Haven, 1971; Bartsch XII.148.13; Bartsch XV.66.1; Marco Tanzi and David Ekserdjian; Metz, Imitations of Ancient and Modern Drawings... Read full biography
The artist mentioned in the text is Antonio Campi, known for skillfully copying Parmigianino's inventions. The Lombard artist Antonio Campi is identified as the creator of the studies of heads in the text. The attribution to Campi was confirmed by Marco Tanzi and David Ekserdjian. The text also mentions a comparable drawing by Campi in the Louvre and an engraving in the British Museum that reproduces the present sheet. The original drawing supposedly by Parmigianino, which is identified with the present sheet, was in the collection of Benjamin West.A.E. Popham, Catalogue of the Drawings of Parmigianino, New Haven, 1971; Bartsch XII.148.13; Bartsch XV.66.1; Marco Tanzi and David Ekserdjian; Metz, Imitations of Ancient and Modern Drawings from the Restoration of the Arts in Italy to the Present Time, London, 1798.
Page shows 3 sample artworks and 32 artists similar to Antonio Campi. Sample images show some of Antonio Campi's highest-priced auction results. Similar artists are ranked by similarity to Antonio Campi's work and style.
Sample Images for Antonio Campi
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Slide 1 of 3: Portrait of a clock collector
Portrait of a clock collector
Antonio CampiPortrait of a clock collector
Antonio Campi
Figure studies for the Adoration of the Shepherds (recto); Study of a man's legs for the Adoration of the Shepherds (verso)
Antonio Campi
Saint John the Baptist in a landscape
Antonio CampiArtists Similar to Antonio Campi (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. 1499 - 1546
Baroque, mannerist painting and fresco, religious subject, tapastry design
Italy. 1557 - 1602
Fresco friezes, printmaking, engraving
Netherlands, Holland. 1667 - 1726
Still life painting and drawing, birds, insects, fruit and flowers
Italy, Holland. 1652/53 - 1736
River scene paintings, veduta, topography, drawing
Italy. 1639 - 1709
Painting
Flemish, Belgium. 1593 - 1678
Portrait, genre, banquet scenes and religious painting, tapestry design, drawing
Italy. 1676 - 1730
Landscape paintings, drawings
Italy. 1615 - 1673
Romantic landscape and baroque religious scene painting, printmaking
Italy, Spain. 1591 - 1652
Religious figure painting
United Kingdom, England. 1775 - 1851
Romantic landscape, skyscape and seascape painting
Flemish, Belgium, Germany. 1577 - 1640
Counter reformation religious painting
France. 1695 - 1736
Figure, portrait and genre painting-festivals
Italy, Spain. 1696 - 1770
Rococo painting, frescos, altarpieces, printmaking
Italy, Russian Federation. 1707 - 1769
Religious and allegorical painting, small scale devotional pictures, engraving,drawing
Italy, Switzerland. 1612 - 1666
Baroque religious figure, genre and portrait painting
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk
France. 1748 - 1825
Classical painting
France. 1758 - 1823
Neo-classical female figure and portrait
France, Italy. 1780 - 1867
Classical history, portrait and figure painting, teaching
France, Italy. 1725 - 1805
History, sentimental middle class domestic genre and sensuous female portrait painting
Italy. 1627 - 1703
Allegorical drawing, painting, printmaking, design
Italy. 1610 - 1664
Graphics, landscapes, genre and battle scene painting, drawings, design, etching
Italy. 1712 - 1793
Architectural, cityscape, religious painting
Italy. 1591 - 1666
Figure, allegorical painting, fresco
Italy. 1632/34 - 1705
Baroque painting, ceilings, altarpieces
France, Italy. 1703 - 1770
Rococo portrait, landscape and mythology painting, engraving, palace decorating
Italy. 1762 - 1844
Genre drawings and landscapes, decorative fresco painting, scenography
Holland, Netherlands. 1566 - 1651
Mannerist style figure painting, etching, engraving, teaching
Holland. 1596 - 1656
Figure and landscape painting
United Kingdom, England. 1734 - 1802
Portrait and historical painting
France, Austria. 1728 - 1808
Rococo landscape painting, engraving, design