France. 1504 - 1570
Painting, sculpting
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Bernardino Gatti SIMILAR ARTISTS
1495 Pavia, Italy - 1575 Cremona, Italy. Known for: Altarpiece religious painting, frescoes of Virgin Mary.
Bernardino Gatti worked for much of his career in Cremona, Parma and Piacenza. Throughout his life he was particularly inspired by the art of Correggio, as can be seen in his earliest altarpiece, a... Read full biography
Bernardino Gatti worked for much of his career in Cremona, Parma and Piacenza. Throughout his life he was particularly inspired by the art of Correggio, as can be seen in his earliest altarpiece, a Resurrection painted in 1529 for the Duomo in Cremona. In 1543 he was working in the church of Santa... Read full biography
Bernardino Gatti worked for much of his career in Cremona, Parma and Piacenza. Throughout his life he was particularly inspired by the art of Correggio, as can be seen in his earliest altarpiece, a Resurrection painted in 1529 for the Duomo in Cremona. In 1543 he was working in the church of Santa Maria in Campagna in Piacenza, where he was tasked with the completion of a series of frescoes of the Life of the Virgin in the cupola, which had been begun by Pordenone. The late 1540’s found Gatti... Read full biography
Bernardino Gatti worked for much of his career in Cremona, Parma and Piacenza. Throughout his life he was particularly inspired by the art of Correggio, as can be seen in his earliest altarpiece, a Resurrection painted in 1529 for the Duomo in Cremona. In 1543 he was working in the church of Santa Maria in Campagna in Piacenza, where he was tasked with the completion of a series of frescoes of the Life of the Virgin in the cupola, which had been begun by Pordenone. The late 1540’s found Gatti working on several projects in Cremona, notably an Assumption of Christ painted in 1549 for the church of San Sigismondo and a Multiplication of the Loaves and Fishes in the refectory of the convent of San Pietro al Po, completed in 1552. In 1560 the... Read full biography
Bernardino Gatti worked for much of his career in Cremona, Parma and Piacenza. Throughout his life he was particularly inspired by the art of Correggio, as can be seen in his earliest altarpiece, a Resurrection painted in 1529 for the Duomo in Cremona. In 1543 he was working in the church of Santa Maria in Campagna in Piacenza, where he was tasked with the completion of a series of frescoes of the Life of the Virgin in the cupola, which had been begun by Pordenone. The late 1540’s found Gatti working on several projects in Cremona, notably an Assumption of Christ painted in 1549 for the church of San Sigismondo and a Multiplication of the Loaves and Fishes in the refectory of the convent of San Pietro al Po, completed in 1552. In 1560 the artist settled in Parma, where he frescoed an Assumption of the Virgin for the dome of Santa Maria della Steccata,... Read full biography
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Slide 1 of 3: Étude pour l’habit d'un moine agenouillé
Étude pour l’habit d'un moine agenouillé
Bernardino GattiÉtude pour l’habit d'un moine agenouillé
Bernardino Gatti
Madonna and Child with the Infant Baptist, with subsidiary studies
Bernardino Gatti
RECTO: STUDY OF LEGS VERSO: STUDY FOR A SAINT SEBASTIAN
Bernardino GattiArtists Similar to Bernardino Gatti (8)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 8 artists.
Italy. 1513 - 1583
Painting
Italy. 1510 - 1563
Painting, decorative art
Italy. 1625 - 1713
Religious genre, portrait and figure painting, frescoes
France. 1750 - 1795
Landscape painting, drawing, engraving, illustration
Italy, Spain. 1696 - 1770
Rococo painting, frescos, altarpieces, printmaking
Italy. 1591 - 1666
Figure, allegorical painting, fresco
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk