Italy. 1734 - 1802
Religious, history, and allegory painting, fresco, etching, sculpture, teaching
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1703 Molfetta, Italy - 1766 Naples, Italy. Known for: Baroque Christian figure painting, Virgin Mary, ceiling frescos.
Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style... Read full biography
Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style became increasingly classicising. Once his reputation was established, Giaquinto was invited twice to... Read full biography
Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style became increasingly classicising. Once his reputation was established, Giaquinto was invited twice to the Savoy court in Turin (in 1733 and 1735–9). In 1740 he became a member of the Academy of Saint Luke in Rome and, having set up a studio, he undertook a number of large decorative schemes. In 1753... Read full biography
Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style became increasingly classicising. Once his reputation was established, Giaquinto was invited twice to the Savoy court in Turin (in 1733 and 1735–9). In 1740 he became a member of the Academy of Saint Luke in Rome and, having set up a studio, he undertook a number of large decorative schemes. In 1753 Giaquinto was summoned by the king of Spain, Ferdinand VI, to Madrid where he succeeded Jacopo Amigoni (1680/2–1752) as court painter. Giaquinto’s most significant commission in Madrid was the fresco decoration of the recently-built Royal Palace. In... Read full biography
Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style became increasingly classicising. Once his reputation was established, Giaquinto was invited twice to the Savoy court in Turin (in 1733 and 1735–9). In 1740 he became a member of the Academy of Saint Luke in Rome and, having set up a studio, he undertook a number of large decorative schemes. In 1753 Giaquinto was summoned by the king of Spain, Ferdinand VI, to Madrid where he succeeded Jacopo Amigoni (1680/2–1752) as court painter. Giaquinto’s most significant commission in Madrid was the fresco decoration of the recently-built Royal Palace. In 1762, after nine years at the Spanish court, Giaquinto moved back to Naples where he continued working for the Spanish monarchy... Read full biography
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Slide 1 of 3: THE PENITENT MAGDALENE
THE PENITENT MAGDALENE
Corrado GiaquintoTHE PENITENT MAGDALENE
Corrado Giaquinto
ASSUMPTION OF THE VIRGIN
Corrado Giaquinto
PIETÀ
Corrado GiaquintoArtists Similar to Corrado Giaquinto (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Austria, Germany. 1704 - 1761
History, religion and mythology scene paintings
Italy. 1689 - 1767
Venetian painting, loose brushwork, processing of antique elements, expressive works
Italy. 1632/34 - 1705
Baroque painting, ceilings, altarpieces
Italy. 1609 - 1685
Religious theme painting
Italy. 1676 - 1730
Landscape paintings, drawings
Holland. 1602/03 - 1670
Landscape and river scene painting
Italy. 1657 - 1747
Classical religious subject and portrait painting
Italy. 1574 - 1625
Portrait, figure paintings, religious, allegorical
Italy, England. 1659 - 1734
Rococo painting, etching, church decoration
Italy, England. 1697 - 1768
Landscape, cityscape, harbor views of Venice painting, etching
Flemish, Belgium, France. 1601 - 1678
Landscape, figure in landscape, allegory and mythology painting
Italy. 1607 - 1656
Painting
Italy. 1695 - 1741
Landscape and figure in landscape paintings, murals
Netherlands, Belgium, Italy. 1684 - 1763
Landscape painting, ruins, classical buildings
Italy. 1551 - 1620
Painting and sculpture
Italy, Spain. 1622 - 1690
Religious themes, vanitas paintings, naturalistic approach
Italy. 1696 - 1782
Italian Rococo painting style
Italy. 1625 - 1676
Figure, allegorical painting
Italy, Switzerland. 1612 - 1666
Baroque religious figure, genre and portrait painting
Italy. 1680 - 1764
Religious figure easel and fresco painting
Italy. 1698 - 1767
Comestible still life, figure, and portrait painting
Italy. c. 1666 - 1751
Religious and mythology themed painting, altarpieces
France. 1695 - 1760
Painting
Holland, Hungary. 1660 - 1724
Floral still life and bird painting
Netherlands, Holland. 1591 - 1656
Genre, interior scene with figures, and bucolic landscape painting
Italy. 1740 - 1815
Academic conception and neoclassical purism
Italy. 1762 - 1844
Genre drawings and landscapes, decorative fresco painting, scenography
Flemish, Belgium, Netherlands. 1568 - 1625
History, still life, allegory and mythology scene painting
Italy. c. 1549 - 1592
Painting
Italy, France, Germany. 1727 - 1802
Military theme painting and sculpture, tapestry design
Italy. 1667 - 1749
Portrait, genre and figure painting, melodramatic scenes