New Mexico, Illinois, Iowa. 1891 - 1982
Geometric views-non objective and figure painting
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1895 Nadlak, Hungary - 1976 Taos, New Mexico. Known for: Dynamic symmetry, non objective painting.
Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art movement in New Mexico, devoted to themes exploring and promoting... Read full biography
Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art movement in New Mexico, devoted to themes exploring and promoting universal meaning that included idealistic forms and colors that suggested sounds. Best known as an... Read full biography
Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art movement in New Mexico, devoted to themes exploring and promoting universal meaning that included idealistic forms and colors that suggested sounds. Best known as an abstract painter, his style ranged from the classic regionalism of the 1930s (WPA murals) to abstractions based on the dynamic symmetry theories he learned from Jay Hambidge, tempered by Roerich's... Read full biography
Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art movement in New Mexico, devoted to themes exploring and promoting universal meaning that included idealistic forms and colors that suggested sounds. Best known as an abstract painter, his style ranged from the classic regionalism of the 1930s (WPA murals) to abstractions based on the dynamic symmetry theories he learned from Jay Hambidge, tempered by Roerich's Russian mysticism. Indeed, Bisttram would often speak of his association with Nicholas Roerich at the Master Institute in New York City, citing a story where the Russian master handed him a handful of wider brushes for his birthday thus indicating that... Read full biography
Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art movement in New Mexico, devoted to themes exploring and promoting universal meaning that included idealistic forms and colors that suggested sounds. Best known as an abstract painter, his style ranged from the classic regionalism of the 1930s (WPA murals) to abstractions based on the dynamic symmetry theories he learned from Jay Hambidge, tempered by Roerich's Russian mysticism. Indeed, Bisttram would often speak of his association with Nicholas Roerich at the Master Institute in New York City, citing a story where the Russian master handed him a handful of wider brushes for his birthday thus indicating that he should employ broader strokes in his paintings. He received his artistic training in New York at the Nationa... Read full biography
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Slide 1 of 3: Pulsation--The Oversoul
Pulsation--The Oversoul
Emil BisttramArtists Similar to Emil Bisttram (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
New York, New Mexico / France. 1887 - 1979
Modernist landscape, portrait and still-life painting
New Mexico. 1891 - 1977
Landscape, mod figure, sculptor
New Mexico, Kansas. 1897 - 1966
Figure and landscape painting, graphics, teaching
New Mexico, California. 1903 - 1996
Painted etchings-southwest subjects
New Mexico / England. 1883 - 1976
Fantasy naive Indian-ceremonial painting
New Mexico, California. 1897 - 1985
Landscape and Indian painting, graphics
New Mexico, New Jersey, Kansas / Sweden. 1878 - 1955
Modernist figure, landscape, still-life, print
New Mexico / France, Africa, Russian Federation. 1882 - 1964
Figure, street-landscape, and genre painting
New Mexico, California. 1869 - 1934
Western-Indian genre and historical mural painting
New Mexico, New York, Michigan / France. 1866 - 1936
Indian figure and genre painting, illustration
Missouri, New Mexico, California / Austria, Hungary. 1892 - 1977
Landscape, ethnic figure and still-life painting
New Mexico, Illinois, Indiana. 1884 - 1949
Indian genre, landscape and portrait painting
New Mexico, New York. 1874 - 1960
Indian figure and landscape painting, illustration
New Mexico, California. 1901 - 1980
Easel and mural painting, graphics
Colorado, Illinois, Massachusetts. 1890 - 1972
Indian genre and landscape painting, illustration
New Mexico, California. 1868 - 1956
Southwest Indian figure, landscape and genre painting
Oklahoma, New Mexico, Indiana. 1895 - 1985
Modernist-leaning landscape and figure painting, aquatint, teaching
Maine, New Mexico. 1901 - 1958
Modernist-leaning landscape, genre, illustrator
New Mexico, Texas, Kansas. 1894 - 1963
Modernist-leaning landscape, genre, graphics
New Mexico, Pennsylvania. 1904 - 1984
Western landscape, genre and portrait painting, etching
Illinois, New Mexico. 1886 - 1956
Landscape, Indian genre and figure painting
New Mexico, California. 1898 - 1943
Modernist figure, landscape and genre painting
New York, Missouri. 1899 - 1985
Modernist sea-views and non-objective painting, graphics
New Mexico, Missouri, Kansas. 1874 - 1952
Landscape and genre painting, illustration
New York, New Mexico. 1866 - 1943
Landscape, Indian pueblos and figure painting
New York, Maine / France. 1870 - 1953
Painting-modernist landscape-coastal, etching
New Mexico, Illinois / Netherland. 1882 - 1963
Portrait painting-often Indian, prints
New Mexico, California, Ohio. 1859 - 1953
Indian figure, landscape and still-life painting
New Mexico, Maine. 1878 - 1936
Western genre and figure painting, illustration
New Mexico, New York, Colorado. 1897 - 1995
Portrait and animal painting, sculpture, textile design
Missouri, Massachusetts. 1889 - 1975
Modernist art, abstraction, regionalist easel and mural painting