Italy. 1495 - 1575
Altarpiece religious painting, frescoes of Virgin Mary
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Francesco Primaticcio SIMILAR ARTISTS
1504 - 1570. Known for: Painting, sculpting.
Francesco Primaticcio, an Italian artist, arrived in France in 1532 and played a significant role in introducing the Italian style to French art. He worked on various projects at the Château de... Read full biography
Francesco Primaticcio, an Italian artist, arrived in France in 1532 and played a significant role in introducing the Italian style to French art. He worked on various projects at the Château de Fontainebleau, including frescoes and stucco decorations. Primaticcio's anatomical study for a Hercules... Read full biography
Francesco Primaticcio, an Italian artist, arrived in France in 1532 and played a significant role in introducing the Italian style to French art. He worked on various projects at the Château de Fontainebleau, including frescoes and stucco decorations. Primaticcio's anatomical study for a Hercules fresco at the Porte Dorée showcases his focus on anatomy and his influence from Michelangelo. The drawing is a preparatory study for a fresco depicting Hercules fighting the inhabitants of Cos. The... Read full biography
Francesco Primaticcio, an Italian artist, arrived in France in 1532 and played a significant role in introducing the Italian style to French art. He worked on various projects at the Château de Fontainebleau, including frescoes and stucco decorations. Primaticcio's anatomical study for a Hercules fresco at the Porte Dorée showcases his focus on anatomy and his influence from Michelangelo. The drawing is a preparatory study for a fresco depicting Hercules fighting the inhabitants of Cos. The artist's work was part of a narrative cycle around the Iliad, and he drew inspiration from Apollodorus' Bibliotheca for his subject matter. The drawing also reflects the artistic interest in anatomy during that period, influenced by Vesalius and... Read full biography
Francesco Primaticcio, an Italian artist, arrived in France in 1532 and played a significant role in introducing the Italian style to French art. He worked on various projects at the Château de Fontainebleau, including frescoes and stucco decorations. Primaticcio's anatomical study for a Hercules fresco at the Porte Dorée showcases his focus on anatomy and his influence from Michelangelo. The drawing is a preparatory study for a fresco depicting Hercules fighting the inhabitants of Cos. The artist's work was part of a narrative cycle around the Iliad, and he drew inspiration from Apollodorus' Bibliotheca for his subject matter. The drawing also reflects the artistic interest in anatomy during that period, influenced by Vesalius and Michelangelo.The text itself, mentioning Cordellier's work and the Albertina Museum's collection.
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Slide 1 of 3: Anatomy study for Hercules landing on the island of Cos and wounded by Chacodon
Anatomy study for Hercules landing on the island of Cos and wounded by Chacodon
Francesco PrimaticcioAnatomy study for Hercules landing on the island of Cos and wounded by Chacodon
Francesco Primaticcio
AN ALLEGORICAL FIGURE OF PRUDENCE
Francesco Primaticcio
AEOLUS CONFINING OR LIBERATING THE WINDS
Francesco PrimaticcioArtists Similar to Francesco Primaticcio (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. 1493 - 1560
Figurative sculpture, mixed media and pen and ink drawing
Italy. 1499 - 1546
Baroque, mannerist painting and fresco, religious subject, tapastry design
Italy. 1510 - 1563
Painting, decorative art
Netherlands. 1534 - 1593
Landscape art, drawings, mixing realistic and imaginary elements
Italy. 1542/48 - 1612
Painting
Italy. 1503 - 1540
Mannerist portrait, figure, nude, religious themes, printmaking
Italy. 1675 - 1749
Frescoes, nudes, art copies, altarpieces, drawings
Italy. 1526/28 - 1612
Renaissance religious figure and genre painting, altar pieces
Italy. c.1500 - 1564
Engraving, landscape views and figure drawing
Italy. 1551 - 1640
Late-mannerist painting
France. 1628 - 1679
Baroque style paintings and frescoes.
France. 1717 - 1806
Painting, writer, architect
Netherlands, Holland. 1667 - 1726
Still life painting and drawing, birds, insects, fruit and flowers
Italy. 1500 - 1547
Painting
Italy. 1625 - 1713
Religious genre, portrait and figure painting, frescoes
Italy. 1560 - 1609
Baroque religious genre and figure painting
Italy. 1671 - 1749
Portrait, figure and landscape painting, monchrome drawings, frescos, decoration
Italy. 1606 - 1680
History, portrait and landscape paintings, pen and ink drawing, architecture
Italy. 1648 - 1729
Figure, religious genre painting, church altarpieces, ceiling decoration, fresco
Italy. 1611 - 1689
Church fresco, religious figure painting and drawing
Flemish, Belgium, Germany. 1577 - 1640
Counter reformation religious painting
Italy, Spain. 1527 - 1585
Mannerist style Christian religious and mythology figure painting
Italy, Spain. 1696 - 1770
Rococo painting, frescos, altarpieces, printmaking
Italy. 1734 - 1802
Religious, history, and allegory painting, fresco, etching, sculpture, teaching
France, Belgium. 1759 - 1840
Still life paintings, botanical illustration, teaching
France. 1690 - 1743
Figure and genre painting
Italy. 1676 - 1730
Landscape paintings, drawings
France. 1721 - 1820
Architectural drawings and watercolors
Italy. 1581 - 1644
Painting, fresco; historical; allergorical; genre; portrait; religous
Italy. 1627 - 1703
Allegorical drawing, painting, printmaking, design
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk