Italy. 1503 - 1540
Mannerist portrait, figure, nude, religious themes, printmaking
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Giovan Battista Naldini SIMILAR ARTISTS
1537 - 1591. Known for: Mannerlist style Christian religious figure painting, drawing.
Giovanni Battista Naldini created a unique Mannerist style that borrowed not only from his masters Jacopo Pontormo and Giorgio Vasari but from their teacher, Andrea del Sarto. He adopted Vasari's... Read full biography
Giovanni Battista Naldini created a unique Mannerist style that borrowed not only from his masters Jacopo Pontormo and Giorgio Vasari but from their teacher, Andrea del Sarto. He adopted Vasari's forms, but his art's feeling and energy--though softened--came from Pontormo. From del Sarto, Naldini... Read full biography
Giovanni Battista Naldini created a unique Mannerist style that borrowed not only from his masters Jacopo Pontormo and Giorgio Vasari but from their teacher, Andrea del Sarto. He adopted Vasari's forms, but his art's feeling and energy--though softened--came from Pontormo. From del Sarto, Naldini absorbed intimate, sentimental, and painterly elements. While his teachers ranked line over color, Naldini used paint, often on a heavily loaded brush, to create rhythms across his panels. Naldini... Read full biography
Giovanni Battista Naldini created a unique Mannerist style that borrowed not only from his masters Jacopo Pontormo and Giorgio Vasari but from their teacher, Andrea del Sarto. He adopted Vasari's forms, but his art's feeling and energy--though softened--came from Pontormo. From del Sarto, Naldini absorbed intimate, sentimental, and painterly elements. While his teachers ranked line over color, Naldini used paint, often on a heavily loaded brush, to create rhythms across his panels. Naldini joined Pontormo's studio at twelve and remained for about eight years. After Pontormo's death, he studied in Rome from about 1560 to 1561. Upon returning to Florence, Vasari recruited him to assist with decorations for the Palazzo Vecchio. From then on,... Read full biography
Giovanni Battista Naldini created a unique Mannerist style that borrowed not only from his masters Jacopo Pontormo and Giorgio Vasari but from their teacher, Andrea del Sarto. He adopted Vasari's forms, but his art's feeling and energy--though softened--came from Pontormo. From del Sarto, Naldini absorbed intimate, sentimental, and painterly elements. While his teachers ranked line over color, Naldini used paint, often on a heavily loaded brush, to create rhythms across his panels. Naldini joined Pontormo's studio at twelve and remained for about eight years. After Pontormo's death, he studied in Rome from about 1560 to 1561. Upon returning to Florence, Vasari recruited him to assist with decorations for the Palazzo Vecchio. From then on, although he had numerous patrons throughout Tuscany, Naldini worked largely under Vasari's supervision for the Medici. He helped with decoration... Read full biography
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Slide 1 of 3: THE LAMENTATION OVER THE DEAD CHRIST
THE LAMENTATION OVER THE DEAD CHRIST
Giovan Battista NaldiniTHE LAMENTATION OVER THE DEAD CHRIST
Giovan Battista Naldini
The Holy Family with the young Saint John the Baptist
Giovan Battista Naldini
An extensive view of Rome with the Ponte Rotto, seen from the Aventine (recto); Studies after antique wall decorations (verso)
Giovan Battista NaldiniArtists Similar to Giovan Battista Naldini (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. c.1480 - c.1527
Engraving
1481 - 1519
Painting
Italy. 1560 - 1609
Baroque religious genre and figure painting
Italy. 1493 - 1560
Figurative sculpture, mixed media and pen and ink drawing
Italy, Austria. 1600 - 1661
Religious genre, figure easel painting, fresco church decoration, drawing teacher
Italy. 1625 - 1713
Religious genre, portrait and figure painting, frescoes
Italy. 1526/28 - 1612
Renaissance religious figure and genre painting, altar pieces
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk
France. 1628 - 1679
Baroque style paintings and frescoes.
Italy. 1551 - 1640
Late-mannerist painting
Italy. 1562 - 1602
Painting and sculpture
Italy. c.1555 - 1605
Painting and sculpture
Italy. 1590 - 1630
Painting and sculpture
Italy. 1591 - 1666
Figure, allegorical painting, fresco
Italy. 1500 - 1569
Painting
Italy. 1555 - 1619
Paintings, architecture, drawings, official court artist
Italy, France. 1594 - 1665
Biblical scene painting
Italy. 1559 - 1613
Painting and sculpture
Italy. 1570 - 1596
Christian religious figure painting
Italy. 1581 - 1644
Painting, fresco; historical; allergorical; genre; portrait; religous
Italy. 1639 - 1709
Painting
France. 1686 - 1755
Figure, genre, landscape and allegorical painting, tapestry design
France. 1614 - 1685
Miniature paintings and vellums of rare plants and animals
France. 1771 - 1835
Portrait, history and mythology painting, engraving
Italy. 1557 - 1602
Fresco friezes, printmaking, engraving
Italy. 1513 - 1583
Painting
France. 1721 - 1820
Architectural drawings and watercolors
France. 1695 - 1759
Painting
Italy. 1654 - 1714
Painting
Italy. 1629 - 1657
Figure Painting; Draftsman; Etching
Italy. 1671 - 1749
Portrait, figure and landscape painting, monchrome drawings, frescos, decoration