Italy. 1624 - c. 1680
Easel and fresco painting of religious and mythology figures, ink drawing
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Giovanni Battista Trotti SIMILAR ARTISTS
1555 Crémona. Italy - 1619 Parma. Italy. Known for: Paintings, architecture, drawings, official court artist.
Active as both a painter and an architect, Giovanni Battista Trotti, known as Il Malosso, was the foremost pupil of Bernardino Campi, whose studio he later inherited. Although his early works are... Read full biography
Active as both a painter and an architect, Giovanni Battista Trotti, known as Il Malosso, was the foremost pupil of Bernardino Campi, whose studio he later inherited. Although his early works are indebted to the manner of Campi and such Cremonese contemporaries as Bernardino Gatti, he was also... Read full biography
Active as both a painter and an architect, Giovanni Battista Trotti, known as Il Malosso, was the foremost pupil of Bernardino Campi, whose studio he later inherited. Although his early works are indebted to the manner of Campi and such Cremonese contemporaries as Bernardino Gatti, he was also particularly influenced by the work of Antonio Correggio. From 1585 onwards Giovanni was especially active, painting numerous altarpieces for churches in Cremona, notably San Pietro al Po and... Read full biography
Active as both a painter and an architect, Giovanni Battista Trotti, known as Il Malosso, was the foremost pupil of Bernardino Campi, whose studio he later inherited. Although his early works are indebted to the manner of Campi and such Cremonese contemporaries as Bernardino Gatti, he was also particularly influenced by the work of Antonio Correggio. From 1585 onwards Giovanni was especially active, painting numerous altarpieces for churches in Cremona, notably San Pietro al Po and Sant’Abbondio. The end of the 16th century and the beginning of the Seicento found Malosso working extensively throughout Lombardy - in Lodi, Pavia, Piacenza, Salò and Milan – as well elsewhere in Northern Italy, notably Genoa and Venice. In 1604 he settled in... Read full biography
Active as both a painter and an architect, Giovanni Battista Trotti, known as Il Malosso, was the foremost pupil of Bernardino Campi, whose studio he later inherited. Although his early works are indebted to the manner of Campi and such Cremonese contemporaries as Bernardino Gatti, he was also particularly influenced by the work of Antonio Correggio. From 1585 onwards Giovanni was especially active, painting numerous altarpieces for churches in Cremona, notably San Pietro al Po and Sant’Abbondio. The end of the 16th century and the beginning of the Seicento found Malosso working extensively throughout Lombardy - in Lodi, Pavia, Piacenza, Salò and Milan – as well elsewhere in Northern Italy, notably Genoa and Venice. In 1604 he settled in Parma, where he was employed at the court of the Duke Ranuccio Farnese. His work as a court artist in Parma included commissions for fre... Read full biography
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Slide 1 of 3: Madonna and Child with the Infant Saint John
Madonna and Child with the Infant Saint John
Giovanni Battista TrottiMadonna and Child with the Infant Saint John
Giovanni Battista Trotti
MERCURY
Giovanni Battista Trotti
Virgin of the Rosary with the Saints Dominic and Stephen
Giovanni Battista TrottiArtists Similar to Giovanni Battista Trotti (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. c.1500 - 1564
Engraving, landscape views and figure drawing
Italy. 1577 - 1660
Decorative church painting, monumental altarpieces, Christian figures, pen & ink drawing
Italy. 1639 - 1709
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Italy. 1556 - 1641
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Italy. 1527 - 1596
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Italy. 1557 - 1627
Religious painting for churches, altarpieces, poetry illustration, frescoes
Italy. 1657 - 1736
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Italy. 1590 - 1630
Painting and sculpture
Italy. 1610 - 1664
Graphics, landscapes, genre and battle scene painting, drawings, design, etching
Italy. 1555 - 1642
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Italy. 1511-1551
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Italy. 1599 - 1661
High Baroque painting and sculpture
Italy. 1654 - 1714
Painting
Italy. 1652 - 1725
Sculpture
Italy. 1631 - 1703
Painting
Italy. 1671 - 1749
Portrait, figure and landscape painting, monchrome drawings, frescos, decoration
Italy. 1711 - 1780
Painting
Italy. 1787 - 1863
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Italy. 1560 - 1608
Fresco and other decorative painting. Christian religious subjects, drawings
Italy. 1530 - 1593
Painting
Italy, Austria. 1600 - 1661
Religious genre, figure easel painting, fresco church decoration, drawing teacher
Italy, Switzerland. 1612 - 1666
Baroque religious figure, genre and portrait painting
Italy. 1555 - 1619
Altarpiece paintings with Madonna, frescoes, cathedral decoration
Italy. 1542/48 - 1612
Painting
Italy, France. c. 1512 - 1571
Black and white chalk drawings on paper
New York, District Of Columbia / Italy, France. 1764 - 1834
Old Master drawings for engravings, paintings
Italy. 1666 - 1724
Painting
Italy. 1627 - 1703
Allegorical drawing, painting, printmaking, design
Italy. 1646 - 1707
Black chalk, pen and brown ink studies
Italy. 1537 - 1591
Mannerlist style Christian religious figure painting, drawing
Italy. 1561 - c.1630
Painting and sculpture