Italy. 1665 - 1747
Altarpieces, religious and contemporary life painting, printmaking
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1737 Prenzlau, Germany - 1807 San Piero di Careggi, Italy. Known for: Landscape, figure in landscape painting, etching.
Jacob Hackert studied first with his father, Philipp Hackert, then from 1755 with Blaise Nicolas Le Sueur at the Berlin Akademie. There he encountered, and copied, the landscapes of Dutch artists and... Read full biography
Jacob Hackert studied first with his father, Philipp Hackert, then from 1755 with Blaise Nicolas Le Sueur at the Berlin Akademie. There he encountered, and copied, the landscapes of Dutch artists and of Claude Lorrain. The latter influence shows in two works exhibited in 1761, views of the Lake of... Read full biography
Jacob Hackert studied first with his father, Philipp Hackert, then from 1755 with Blaise Nicolas Le Sueur at the Berlin Akademie. There he encountered, and copied, the landscapes of Dutch artists and of Claude Lorrain. The latter influence shows in two works exhibited in 1761, views of the Lake of Venus in the Berlin Zoological Garden (versions of 1764 in Stockholm, National Museum). These much admired paintings retain a rather rigid late Baroque style. Hackert's main interest in these early... Read full biography
Jacob Hackert studied first with his father, Philipp Hackert, then from 1755 with Blaise Nicolas Le Sueur at the Berlin Akademie. There he encountered, and copied, the landscapes of Dutch artists and of Claude Lorrain. The latter influence shows in two works exhibited in 1761, views of the Lake of Venus in the Berlin Zoological Garden (versions of 1764 in Stockholm, National Museum). These much admired paintings retain a rather rigid late Baroque style. Hackert's main interest in these early works was to arrive at a special understanding of a place through alternate views, with reverse directions of observation. This systematic documentation bears witness to his interest in the study of nature. In 1762 Hackert left Berlin for a study tour... Read full biography
Jacob Hackert studied first with his father, Philipp Hackert, then from 1755 with Blaise Nicolas Le Sueur at the Berlin Akademie. There he encountered, and copied, the landscapes of Dutch artists and of Claude Lorrain. The latter influence shows in two works exhibited in 1761, views of the Lake of Venus in the Berlin Zoological Garden (versions of 1764 in Stockholm, National Museum). These much admired paintings retain a rather rigid late Baroque style. Hackert's main interest in these early works was to arrive at a special understanding of a place through alternate views, with reverse directions of observation. This systematic documentation bears witness to his interest in the study of nature. In 1762 Hackert left Berlin for a study tour in northern Germany. He stopped in Stralsund and the nearby island of Rügen, where he was a guest of Adolph F... Read full biography
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Slide 1 of 3: Country folk resting beneath vines in the hills above Solfatara with a view of Ischia, Procida and the Bay of Pozzuoli beyond
Country folk resting beneath vines in the hills above Solfatara with a view of Ischia, Procida and the Bay of Pozzuoli beyond
Jacob Philipp (Jakob) HackertCountry folk resting beneath vines in the hills above Solfatara with a view of Ischia, Procida and the Bay of Pozzuoli beyond
Jacob Philipp (Jakob) Hackert
The St. Gotthard Pass
Jacob Philipp (Jakob) Hackert
The Port of Salerno from Vietri, with herdsmen and other figures in the foreground, with the Castello di Arechi beyond and shipping vessels in the bay
Jacob Philipp (Jakob) HackertArtists Similar to Jacob Philipp (Jakob) Hackert (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. 1788 - 1850
Painting
Italy. 1764 - 1835
Venetian scene painting
France. 1716 - 1794
Landscape, cityscape
Italy. 1675 - 1757
Pastel portrait painting, miniatures
Denmark, Norway. 1788 - 1857
Romantic landscape and marine painting
Italy. 1712 - 1793
Architectural, cityscape, religious painting
Italy. 1591 - 1666
Figure, allegorical painting, fresco
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk
Italy, Spain. 1696 - 1770
Rococo painting, frescos, altarpieces, printmaking
France, Italy. 1725 - 1805
History, sentimental middle class domestic genre and sensuous female portrait painting
Holland. 1596 - 1656
Figure and landscape painting
Netherlands, Holland. 1640/41 - 1694/97
Landscape, beach and village scene painting
Flemish, Belgium, France. 1601 - 1678
Landscape, figure in landscape, allegory and mythology painting
Italy. 1762 - 1844
Genre drawings and landscapes, decorative fresco painting, scenography
Netherlands. c.1630 - c. 1676
Landscape, figure in landscape, genre, and river scene painting
Germany. 1803 - 1884
Painting
Italy, France. 1714 - 1789
Landscape painting
Germany. 1749 - 1822
Landscape with figures and monument painting, etching, drawing
Holland. 1609 - 1685
Landscape, interiors and floral painting, drawing, engraving
Germany. 1726 - 1801
Painting and sculpture
Italy. 1625 - 1713
Religious genre, portrait and figure painting, frescoes
Italy. 1689 - 1767
Venetian painting, loose brushwork, processing of antique elements, expressive works
France, Italy. 1803 - 1869
Plein-air landscape painting, lithography, etching
Italy. 1734 - 1802
Religious, history, and allegory painting, fresco, etching, sculpture, teaching
Holland, Netherlands. 1566 - 1651
Mannerist style figure painting, etching, engraving, teaching
Germany. 1839 - 1924
Landscape, portrait and religious themed paintings, lithography, drawing
California / Germany. 1815 - 1910
Realist, romantic landscape painting, teaching
Germany. 1815 - 1905
Landscape, figure and portrait painting, drawings, etchings
Flemish, Belgium, Netherlands. 1568 - 1625
History, still life, allegory and mythology scene painting
France. 1733 - 1808
Historical scene, architecture and portrait painting
Italy. c. 1548 - 1628
Portrait, figure, religious, allegorical paintings